Mood Quotes - page 7
One must always paint in opposition to nature, and to one's own 'mood'. To let oneself go is a weakness, a sort of hysterics. If you are full of red, choose a green or a blue; if you feel like yellow, choose grey or black. In this continuous opposition lies the entire secret of plastic creation... To create a great work of art demands self-mortification.
Theo van Doesburg
These days a very melancholic mood has taken hold of me. There is nothing else but my work. My dear ones, I have been well and I have been working and my way of working is changing. For this reason I always feel extremely anxious. I am not content and perhaps I will not (ever) be satisfied with my work, not even for one day. I want to attain works which are more personal and clean.
Arshile Gorky
And the color, the overcast blue
Of the air, in which the blue guitar
Is a form, described but difficult,
And I am merely a shadow hunched
Above the arrowy, still string,
The maker of a thing yet to be made;
The color like a thought that grows
Out of a mood, the tragic robe
Of the actor, half his gesture, half
His speech, the dress of his meaning, silk
Sodden with his melancholy words,
The weather of his stage, himself.
Wallace Stevens
.. that dizzy seething of forms and acoustic lights, rowdy and smelly [visible in the paintings at the Futurist exhibition, February 1912 in Paris].... to obtain this total painting which calls for the active cooperation of all the senses: painting of the plastic mood of the universal, you have to paint the way drunkards sing and vomit, sounds, noises and smells.
Carlo Carrà
Memory strength is also a function of how much we care about the experience. ...If I'm playing an instrument I like, and whose sound pleases me in and of itself... caring leads to attention, and together they lead to measurable neurochemical changes. Dopamine, the neurotransmitter associated with emotional regulation, alertness, and mood, is released, and the dopaminergic system aids in encoding the memory trace.
Daniel Levitin
After four years of sitting through lectures, I have a feeling you're not in the mood for another one. What I have learned about graduation speeches is that they're too long and rarely remembered. So I'll keep this short. I just can't attest to how memorable it will be. I've also learned that it's important to refer to someone associated with the University. So I picked one, an SMU trustee, who by the way is not here, Reverend Mark Craig. Now, I asked Mark to deliver the sermon at the First United Methodist Church in Austin before my second inauguration as Governor of Texas. I still remember his Fort Worth twang as he talked about Moses. God called Moses to action, and Moses repeatedly found excuses not to act. 'Who am I that I should go to Pharoah, and bring the sons of Israel out of Egypt? Oh, my Lord, I pray, send some other person. I have sheep to tend. And the people won't believe me. I'm not a very good speaker'.
George W. Bush
The Man in the Moon is like a great short story, one of those masterpieces of language and mood where not one word is wrong, or unnecessary. It flows so smoothly from start to finish that it hardly even seems like an ordinary film. Usually I am aware of the screenwriter putting in obligatory scenes. I can hear the machinery grinding. Not this time. Although, in retrospect, I can see how carefully the plot was put together, how meticulously each event was prepared for, as I watched the film I was only aware of life passing by.
Roger Ebert
