Mood Quotes - page 12
We walked along Buitenkant and there by the sand works at the Oosterspoor [former train-station in Amsterdam], I can' tell you how beautiful it was there in the twilight. Rembrandt, Michel, [French Barbizon painter] and others have painted it, the ground dark, the sky still lit by the glow of the sun, already gone down, the row of houses and towers standing out above, the lights in the windows everywhere, everything reflected in the water. And the people and carriages like small black figures everywhere. Like one sometimes sees in a Rembrandt. And it put us in such a mood that we began talking about all sorts of things.
Vincent van Gogh
The digressions [ in Homer] are not meant to keep the reader in suspense ... An episode that will increase suspense by retarding the action must be so constructed that it will not fill the present entirely, will not put the crisis, whose resolution is being awaited, entirely out of the reader's mind, and thereby destroy the mood of suspense; the crisis and the suspense must continue, must remain vibrant in the background. But Homer-and to this we shall have to return later-knows no background. What he narrates is for the time being the only present, and fills both the stage and the reader's mind completely.
Erich Auerbach
I have come to the frightening conclusion that I am the decisive element. It is my personal approach that creates the climate. It is my daily mood that makes the weather. I possess tremendous power to make life miserable or joyous. I can be a tool of torture or an instrument of inspiration, I can humiliate or humor, hurt or heal. In all situations, it is my response that decides whether a crisis is escalated or de-escalated, and a person is humanized or de-humanized. If we treat people as they are, we make them worse. If we treat people as they ought to be, we help them become what they are capable of becoming.
Johann Wolfgang von Goethe
Where there is anger, there is always pain underneath. Or when a dark mood comes upon you and you start getting into a negative mind-pattern and thinking how dreadful your life is, your thinking has become aligned with the pain-body, and you have become unconscious and vulnerable to the pain-body's attack. "Unconscious," the way that I use the word here, means to be identified with some mental or emotional pattern. It implies a complete absence of the watcher. p. 29-30.
Eckhart Tolle
Confession should be only in secret before God, who knows everything anyway, and thus it could remain hidden in one‘s innermost being. But at a dinner – and a woman! A dinner-it is not some hidden, remote place, nor is the lighting dim, nor is the mood like that among graves, nor are the listeners silent or invisibly present.
Søren Kierkegaard
My whole intention in painting is to make a thing poetical; but not poetical in a literary sense. I want something that evokes mood, a background, a stage set for certain characters that are playing certain parts. When I paint I do not consider myself an abstractionist in the sense that I'm trying to create beautiful forms that fit together like a puzzle. The things in my painting are intended to strike something that is an emotional involvement – that has to do with the human personality and all the mysteries of life, not simply colors or abstract balances. To me, it's all reality.
William Baziotes
Today, Psycho still holds up extraordinarily well (another reason why a remake seems pointless). With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps. The black-and-white photography is perfect for the film's tone and mood - the starkness of color would have blurred the nightmarish quality. The painstaking care with which [director Alfred] Hitchcock composed every scene is evident in the quality of the final product.
James Berardinelli
If you're in the mood for something that's completely visceral and mindless (really mindless - the plot is a joke, filled with contrivances and coincidences), this movie will fit the bill. Parts of it are excruciatingly bad, but there are numerous examples of well-directed action that, on balance, compensate for the worst gaffes. This is a poor man's Die Hard. It has the explosions, gunplay, and spectacular stunts, but little of the wit and intelligence. In other words, it's a typical summer action flick.
James Berardinelli
For I consider that music is, by its very nature, essentially powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc. Expression has never been an inherent property of music. That is by no means the purpose of its existence. If, as is nearly always the case, music appears to express something, this is only an illusion and not a reality. It is simply an additional attribute which, by tacit and inveterate agreement, we have lent it, thrust upon it, as a label, a convention – in short, an aspect which, unconsciously or by force of habit, we have come to confuse with its essential being.
Igor Stravinsky
Only a few years ago one could observe, at least among German psychologists, a quite pessimistic mood. After the initial successes of experimental psychology in its early stages, it seemed to become clearer and clearer that it would remain impossible for experimental method to press on beyond the psychology of perception and memory to such vital problems as those with which psychoanalysis was concerned. Weighty 'philosophical' and 'methodological' considerations seemed to make such an undertaking a priori impossible.
Kurt Lewin
I think the most important thing is to instantly give them a sense of who you are and how you feel in that moment. If a speaker is nervous and tells the audience that, people immediately contextualize it and respond accordingly. If a performer is in a good mood or feeling wild and crazy and says so, I've found, the crowd will be good at matching that energy. So for me, the rapport is built by a genuineness conveyed as quickly as possible.
Trevor Noah
