Mood Quotes - page 10
I am in favour of sensible, well argued extensions of public ownership. ... But I am also in favour of a healthy, vigorous and profitable private sector. We do and shall depend upon it to provide a great part of our jobs, our exports and our production. And if we allow a mood of sullen uncertainty to build up in that sector we shall lose more than we shall gain by the sensible and necessary extension of the public sector.
Roy Jenkins
The chief danger for a country placed as we are is that of living sullenly in the past, of believing that the world has a duty to keep us in the station to which we are accustomed, and showing bitter resentment if it does not do so. This was the mood of Suez; and it is a mood absolutely guaranteed, not to recreate our past glories, but to reduce us to a level of influence and wealth far lower than that which we need occupy. ... Our neighbours in Europe are roughly our economic and military equals. We would do better to live gracefully with them than to waste our substance by trying unsuccessfully to keep up with the power giants of the modern world.
Roy Jenkins
My ability to endure tension had now grown amazingly. From the accidental pain of southern years, from anxiety that I had sought to avoid, from fear that had been too painful to bear, I had learned to like my unintermittent burden of feeling, had become habituated to acting with all of my being, had learned to seek those areas of life, those situations, where I knew that events would complement my own inner mood. I was conscious of what was happening to me; I knew that my attitude of watchful wonder had usurped all other feelings, had become the meaning of my life, an integral part of my personality; that I was striving to live and measure all things by it. Having no claims upon others, I bent the way the wind blew, rendering unto my environment that which was my environment's, and rendering unto myself that which I felt was mine. It was a dangerous way to live, far more dangerous than violating laws or ethical codes of conduct; but the danger was for me and me alone.
Richard Wright
In contrast to the flux and muddle of life, art is clarity and enduring presence. In the stream of life, few things are perceived clearly because few things stay put. Every mood or emotion is mixed or diluted by contrary and extraneous elements. The clarity of art-the precise evocation of mood in the novel, or of summer twilight in a painting-is like waking to a bright landscape after a long fitful slumber, or the fragrance of chicken soup after a week of head cold.
Yi-Fu Tuan
He realised how oddly detached he was. [...] He enjoyed every moment, but he knew that his enjoyment came largely from standing a little apart. He was not a cynic, for there was no sourness in him. He had a kindliness towards most things, and a large charity. But he did not take sides. He had not accepted any mood, or creed, or groove of his own. Vix ea nostra voco [I scarcely call these things our own] was his motto. He was only a seeker [...] occupied in finding out what was in his soul.
John Buchan
He shook his head violently, pulled himself together and swallowed a stiff dose of Infradex, a drug designed to alleviate drug reactions. Within seconds he was his old, normally depressed self. This cheered him considerably, and he left the hut in a mood teetering on the edge of equanimity.
Robert Sheckley
I paced up and down the little room, a queer thing happened. It was as though my wandering imagination came upon a new quality, different from all that I had ever known; yet one which was also more familiar and intimate than the smell of Plaxy in the mood of love, more piercing sweet than bitches, more hunt-worthy than the trail of a fox.
Olaf Stapledon
Now, given that picture of a rapid change of society, one would expect to see a rapid evolution of the institutions charged with preparing the young for it. We do not see this. We see a much slower rate of evolution of the school and that means we're seeing a bigger and bigger gap between school and society. This gap is what I believe is responsible for the deterioration of performance in our schools and our educational systems. Because the children can see this; they can see that school is irrelevant. They feel that the pace of school and the mood of the school culture is out of sync with the society in which they live. And so it becomes harder and harder to get them to buy into the idea that school is satisfying their needs, that school is a bridge to the 21st century, as our political leaders keep on reiterating.
Seymour Papert
The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.
Donald Barthelme
SF is a controlled way to think and dream about the future. An integration of the mood and attitude of science (the objective universe) with the fears and hopes that spring from the unconscious. Anything that turns you and your social context inside out. Nightmares and visions, always outlined by the barely possible.
Gregory Benford
This mood hath known all beauty for it sees
O'erwhelmed majesties
In these pale forms, and kingly crowns of gold
On brows no longer bold,
And through the shadowy terrors of their hell
The love for which they fell,
And how desire which cast them in the deep
Called God too from his sleep.
George William Russell
... as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.... What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.... in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.
Franz Kline
I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don't see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it's just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..
Franz Kline
