Plane Quotes - page 5
I can frankly affirm that I have written with malice toward none and with charity for all. ...I have tried-so far as erring human judgment permits-to lift the issues out of the plane of personal selfishness and hate, and to put them where the white light of the just and pitying spirit of Jesus can play upon them. If I have failed in that effort, it is my sin. If others in reading fail to respond in the same spirit, it is their sin.
Walter Rauschenbusch
To call a fight for the Zionist idea of a Jewish nation, for the federal principle of Party organisation, a "fight for the equality of the Jews in the world family of the proletariat” is to degrade the struggle from the plane of ideas and principles to that of suspicion, incitement and fanning of historically-evolved prejudices. It glaringly reveals a lack of real ideas and principles as weapons of struggle.
Vladimir Lenin
In mathematical quarters, the regular division of the plane has been considered theoretically... Does this mean that it is an exclusively mathematical question? In my opinion, it does not. [Mathematicians] have opened the gate leading to an extensive domain, but they have not entered this domain themselves. By their very nature they are more interested in the way in which the gate is opened than in the garden lying behind it.
M. C. Escher
![[the double line in his paintings] is still one line, as in the case of your grooves [= the wide sunken lines in the relief's, the artist Gorin made then]... In my last things the double line widens to form a plane, and yet it remains a line. Be that as it may, I believe that this question is one of those which lie beyond the realm of theory, and which are of such subtlety that they are rooted in the mystery of 'art. (Piet Mondrian)](https://cdn.quotesdtb.com/img/quotes_images_webp/77/piet-mondrian-art-artist-453277.webp)
The new vision.... does not proceed from a fixed point. Its viewpoint is everywhere, and not limited to any one position [in space]. Nor is it bound by space or time (in accordance with the theory of relativity) [of Einstein ]. In practice, the viewpoint is in front of the plane... Thus this new vision sees architecture as a multiplicity of planes; again flat. This multiplicity composes itself (in an abstract sense) into a flat image [in contrast to Theo van Doesburg who emphasized the dynamic position of the viewer – a central idea of Futurism in 1919].
Piet Mondrian
The rectangular plane of varying dimensions and colours visibly demonstrates that internationalism does not mean chaos ruled by monotony but an ordered and clearly divided unity. In Neo-Plasticism, there are, in fact, very definite boundaries. But these boundaries are not really closed; the straight lines in rectangular opposition to one another constantly intersect, so that their rhythm continues throughout the whole work... These frontiers will be clearly defined but not 'closed'; there will be no customs, no work permits. 'Foreigners' will not be viewed as aliens.
Piet Mondrian
We analyzed the first stage of our construction, confined to two-dimensional space, and found it to be as durable and resistant as the earth itself. We build in this space just as we would on the ground, and therefore must take as our point of departure the concepts of gravity and force of attraction, as the foundation of everything built on the land. In PROUN the reciprocity of the effects of gravity [Newton, 'for every action an equal and opposite reaction'] manifests itself in a new capacity. We see that on the surface (plane) of the picture, the PROUN ceases to exist as such and becomes a building surveyed from every direction - considered from above or examined from below. The result of this turns out to be the destruction of the single axis that leads to the horizon.
El Lissitsky
My work is in a complete transformation. Lately, in my studio in Amsterdam, 'beings' re-emerge more and more, but I have repainted all the canvases that I have brought with me [from Amsterdam to Paris]. It is matter itself. On the canvas, no discovery, no personal drama, no submission to a rhythm.... freed from 'Victory Boogiewoogie' [title of the last work of Piet Mondrian, 1944], bepop, bepop, we free ourselves from rhythm, we are not there yet, but it is coming... Now I paint stains, bigger stains, colours endlessly reapplied one upon the other, I scrape and I put down new stains of colour unto nothing remains but one great plane, concentrated and linked at the same time, suddenly a vivid red or yellow and the canvas and being merge.
Karel Appel
Scientific truth is characterized by its exactness and the certainty of its predictions. But these admirable qualities are contrived by science at the cost of remaining on a plane of secondary problems. leaving intact the ultimate and decisive questions. ... Yet science is but a small part of the human mind and organism. Where it stops, man does not stop.
José Ortega y Gasset
I've got a ticket,
To the fast city,
Where the bells don't really ring,
Getting off the plane the cold air,
Rushes like bullets through my brain,
And I'm divided between penguins and cats,
But it's not about what animal you've got,
It's about being able to fly,
It's about dying nine times.
Katie Melua
The age we live in is largely – and I think mostly – 'objective', but a minority is reacting against this... My feeling is that I made colour – the colour plane – 'objective' in 1918, 1920 and 1921. There is a feeling of objectivity in all the great Primitives – but in 'the subject' there is no solution for the object, which has so much intrinsic value that it is 'highly explosive'; it destroys all the things around it, unless they have been designed specifically to serve as a setting for it.
Fernand Léger
Of the various plastic orientations developed over the past twenty-five years, abstract art is the most important, the most interesting.. .It is an extreme state which only a few creators and admirers are capable of achieving. The danger of this formula lies in the very elevation of its intention. Modelings, contrasts, objects have disappeared, leaving only very pure, very precise relations, and a few colors, a few lines; blank spaces, without depth. Add to this a respect for the vertical plane – thin, rigid, sharp. It is a true, incorruptible purism.
Fernand Léger
