Plane Quotes - page 11
Back! back! Away from me, or you must go with me - whither you know not - into the Land of Three Dimensions!""Fool! Madman! Irregular!" I exclaimed; "never will I release thee; thou shalt pay the penalty of thine impostures.""Ha! Is it come to this?" thundered the Stranger: "then meet your fate: out of your Plane you go. Once, twice, thrice! 'Tis done!"
Edwin Abbott Abbott
The chief wrong which false prophets do to their following is not financial... But the real harm is on the mental and spiritual plane. There are those who hunger and thirst after higher values which they feel wanting in their humdrum lives. They live in mental confusion or moral anarchy, and seek vaguely for truth and beauty and moral support. When they are deluded and then disillusioned, cynicism and confusion follow. The wrong of these things, as I see it, is not in the money the victims part with half so much as in the mental and spiritual poison they get. But that is precisely the thing the Constitution put beyond the reach of the prosecutor, for the price of freedom of religion or of speech or of the press is that we must put up with, and even pay for, a good deal of rubbish.
Robert H. Jackson
STRANGER. In order to see into Space you ought to have an eye, not on your Perimeter, but on your side, that is, on what you would probably call your inside; but we in Spaceland should call it your side.I. An eye in my inside! An eye in my stomach! Your Lordship jests. STRANGER. I am in no jesting humour. I tell you that I come from Space, or, since you will not understand what Space means, from the Land of Three Dimensions whence I but lately looked down upon your Plane which you call Space forsooth. From that position of advantage I discerned all that you speak of as SOLID (by which you mean "enclosed on four sides"), your houses, your churches, your very chests and safes, yes even your insides and stomachs, all lying open and exposed to my view.I. Such assertions are easily made, my Lord.STRANGER. But not easily proved, you mean. But I mean to prove mine.
Edwin Abbott Abbott
![Everywhere I looked, demons of the future [were] on the battlegrounds of one's emotional plane. (David Bowie)](https://cdn.quotesdtb.com/img/quotes_images_webp/23/david-bowie-emotional-future-239123.webp)
Nothing is more certain than that war promotes science and increases comforts. Utopia may mean no more wars, but universal peace and plenty will never reign until at least one more war raises mankind to a plane of such comfort and ease that nobody on either side of a frontier can even imagine the possibility of resorting to arms. Comfort creates wars and comfort may someday end them.
Malcolm de Chazal
As we read this, we stand in the plane of the present; we are the sum of all our ancestors, and the origin of all our descendents. In terms of our model, we are at an ever-changing origin, located on the boundary of past and future. As well, we are spinning with the earth, spiralling with the galaxy, and expanding or contracting with the universe. As origins, we are on the move in time and space, and all these movements have a characteristic pulse rate.
Bill Mollison
The essays in simulation of [Paul] Eluard and [Andre] Breton, Breton's recent poem-objects, the latest images of Rene Magritte, the "method" of the latest sculpture of Picasso and the theoretic and pictorial activity of Salvador Dali prove this need of concrete materialisation in current reality, of giving objective value on the real plane to the delirious unknown world of our irrational experiences. Against the remembrance of dreams and the virtual and impossible images of purely receptive states, "that can only be recounted", there are the physical facts of "objective" irrationality, with which one can already actually wound oneself.
Salvador Dalí
The Italian metaphysical movement [initiated by De Chirico ] started from the spiritual reality, a consequence of the physical miracle and it aspects grouped on an immaterial plane; all this formed a new spectral reality, in order to attain maximal, almost erotic creativity in touch. The Cubists, on the other hand, starting from this sensual-idealistic touch, found a pure, new form of spirituality. Lorca is one of those who have reached this new form of miracle by following the paths of the greatest incredulity. He does not even believe in his own hands, unless it be to turn one-legged physiological and abstract tables.
Salvador Dalí
I guess it was the big plane crash picture [why Warhol started his 'Death'-series], the front page of a newspaper: '129 DIED'. I was also painting the Marilyns [the Marylin Monroe portraits, Warhol started after her tragic death in 1962] I realized that everything I was doing must have been Death. It was Christmas or Labor Day - a holiday - and every time that you turned on the radio they said something like '4 millions are going to die'. That started it. But when you see a gruesome picture over and over again, it doesn't really have any effect.
Andy Warhol
If we give the attributes of a medium to the artist, we must then deny him the state of consciousness on the aesthetic plane about what he is doing or why he is doing it. All this decisions in the artistic execution of the work rest with pure intuition and cannot be translated into a self-analysis, spoken or written, or even thought out.
Marcel Duchamp
De Chirico [Italian painter, later admired by the Surrealists as 'early Surrealist'] found himself in 1912 confronted with the problem of following one of the roads already opened or of opening a new road. He avoided Fauvism as well as Cubism and introduced what could be called 'metaphysical painting'. Instead of exploiting the coming medium of abstraction, he organized on his canvases the meeting of elements which could only meet in a 'metaphysical world'. These elements, painted in the minutest technique, were 'exposed' on a horizontal plane in orthodox perspective. This technique, in opposition to the Cubist or the purely abstract formula in full bloom at the moment, protected de Chirico's position and allowed him to lay down the foundation of what was to become Surrealism ten years later.
Marcel Duchamp
In the creative act, the artist goes from intention to realization through a chain of totally subjective reactions. His struggle towards the realization is a series of efforts, pains, satisfactions, refusals, decisions, which also cannot be fully self-conscious, at least on the aesthetic plane. The result of his struggle is a difference between the intention and its realization, a difference which the artist is not aware of.
Marcel Duchamp
I believe weapons of war have no place on our streets and we may have our disagreements about gun safety regulations, but we should all be able to agree on a few essential things. If the FBI is watching you for a suspected terrorist link, you shouldn't be able to just go buy a gun with no questions asked. And you shouldn't be able to exploit loopholes and evade criminal background checks by buying online or at a gun show. And yes, if you're too dangerous to get on a plane, you are too dangerous to buy a gun in America.
Hillary Clinton
"Come, let us hasten to a higher plane
Where dyads tread the fairy fields of Venn,
Their indices bedecked from one to n
Commingled in an endless Markov chain! I'll grant thee random access to my heart,
Thou'lt tell me all the constants of thy love;
And so we two shall all love's lemmas prove,
And in our bound partition never part. Cancel me not - for what then shall remain?
Abscissas, some mantissas, modules, modes,
A root or two, a torus and a node:
The inverse of my verse, a null domain.
Stanisław Lem
