Details Quotes - page 8
It must be emphasized that in seeing a work of art that has been composed by precise means, the viewer does not perceive dominant details. His impression is one of perfect balance to which all the parts contribute, an impression which not only applies to the parts as such, but is transmitted also to the relation existing between the work of art and the viewer. Although it is very difficult to express in words the effect of a work of art, it may be said that the viewer's deepest impression can best be defined as the achievement of a balance between objective meaning and subjective meaning, both directly penetrated by awareness. He has a sensation of height and of depth which are no longer in any way bound to natural conditions or to spatial dimensions, a sensation which places the viewer in a state of consciousness harmony.
Theo van Doesburg
I found the king extremely attractive, naturally endowed as he was with all the intellectual qualities a woman could wish for in the man close to her heart. His gentle, serious look, which could still be indulgent and warm, and his lovely smile touched me deeply. And there were other details I liked: the way he held his head, his long eyelashes, which I found unutterably romantic, his hands. Yes, I was secretly won over, charmed by him.
Farah Pahlavi
Idiots can do what I do. When I first started to do this [projecting photos on the canvas and painting them after having them traced in details with a piece of charcoal] in the 60's, people laughed. I clearly showed that I painted from photographs. It seemed so juvenile. The provocation was purely formal - that I was making paintings like photographs. Nobody asked about what was in the pictures. Nobody asked who my Aunt Marianne was. That didn't seem to be the point.
Gerhard Richter
Ms. Wadewitz's interest in rock climbing played out on Wikipedia. Her last editing was to improve an article about Steph Davis, a prominent female climber and wingsuit flier. In Ms. Wadewitz's hands, the article became filled with personal details, spectacular photos, a highlighted quotation and 25 footnotes.
Adrianne Wadewitz
Our own time, and by this I mean the last two or three generations, including our own, can be summed up in a way that brings into unity an immense number of details by saying of it that it is a time in which the search for the supreme truth has been a search in reality or through reality or even a search for some supremely acceptable fiction.
Wallace Stevens
It delights me even more, though, to hear that my nameless cosmic monsters have an air of originality about them! Shapeless, unheard-of creatures are not original with me; for although Poe did not use them, they figure quite widely in minor horror-writing since his time. Usually they tend to be exaggerations of certain known life-forms such as insects, poisonous plants, protozoa, & the like, although a few writers break away wholly from terrestrial analogy & depict things as abstractly cosmic as luminous protoplasmic globes. If I have gone beyond these, it is only subtly & atmospherically-in details, & in occasional imputations of geometrical, biological, & physico-chemical properties definitely outside the realm of matter as understood by us. Most of my monsters fail altogether to satisfy my sense of the cosmic-the abnormally chromatic entity in The Colour Out of Space being the only one of the lot which I take any pride in.
H. P. Lovecraft
Every piece of information about these statues is totally useless... What. import is it to us if their author was a bureaucrat or a cowherd, an old man or a young person? It is very unfounded to pay attention to these meager ircumstances. There is no difference between an old and young man. Not the least in any domain. Or if he was from Burgundy or Auvergne it's the same. And if he is alive or dead for who knows how long it is the same to us. Between a contemporary and someone from the last century, or a companion of Clovis or the big prehistoric reptiles? No difference whatsoever. We are completely wrong to take interest in these details.
Jean Dubuffet
His idea may not solve the mystery of faster-than-light neutrinos, and it may not even shed much light on it – the details of the analysis might be wrong, or be filled with old-fashioned ideas. But I thought it was fascinating that a 50-year-old New Scientist story touched on a topic that is all over the headlines today.
Jayant Narlikar
What I set myself to do was this, to write a sort of grammar of thirteenth-century architecture, and to illustrate it with carefully measured details. I moreover resolved, when I did measure details or buildings, to do the part I wanted, and not to waste time by trying to make a finished drawing by means of the surroundings. The plan of the book fell through, for I had scarcely been at work two months before the advertisement of M. Viollet-le-Duc's Dictionary appeared, and I then continued tho drawings for my own instruction and without any intention of publication.
William Burges
When we approach the study of business cycle with the intention of carrying through an analysis that is truly dynamic and determinate in the above sense, we are naturally led to distinguish between two types of analyses: the micro-dynamic and the macro-dynamic types. The micro-dynamic analysis is an analysis by which we try to explain in some detail the behaviour of a certain section of the huge economic mechanism, taking for granted that certain general parameters are given. Obviously it may well be that we obtain more or less cyclical fluctuations in such sub-systems, even though the general parameters are given. The essence of this type of analysis is to show the details of the evolution of a given specific market, the behaviour of a given type of consumers, and so on.
Ragnar Frisch
I had long wished for some opportunity of endeavouring to explain... the principles on which the instruments of an Observatory are constructed, (omitting all details, so far as they are merely subsidiary,) and the principles on which the observations made with these instruments are treated...
Such an opportunity appeared to present itself in the course of Lectures which I engaged to give to the Members of the Ipswich Museum and their friends.
George Biddell Airy
May Sarton said, "the deeper you go, the more universal you become." It's a reminder to me that those things I try to convince myself I don't need to admit are usually those things I need the most to say. Speaking the truth, in its most poignant details, is liberating and gives those around us the freedom to be real.
Sabrina Ward Harrison
![In conversing with persons who are not officially attached to Observatories or in other ways professionally cognizant of the technicalities of practical Astronomy but who nevertheless display great interest... these persons appear to regard the determination of measures like those of the distance of the Sun and Moon as mysteries beyond ordinary comprehension... [and] when persons well acquainted with the general facts of Astronomy are introduced into an Observatory, they are for the most part utterly unable to understand anything which they see...
The measure of the Moon's distance involves no principle more abstruse than the measure of the distance of a tree on the opposite bank of a river. The principles of construction of the best Astronomical instruments are as simple and as closely referred to matters of common school-education and familiar experience, as are those of the common globes, the steam engine, or the turning-lathe; the details are usually less complicated. (George Biddell Airy)](https://cdn.quotesdtb.com/img/quotes_images_webp/79/george-biddell-airy-anything-261579.webp)
I was never interested in the obvious, or in the details one takes for granted, and everybody seemed to be addicted to the obvious, being astonished by it, and forever harping about the details which I had long ago weighted, measured, and discarded as irrelevant and useless. If you can measure it, don't. If you can weigh it, it isn't worth the bother. It isn't what you're after. It isn't going to get it. My wisdom was visual and as swift as vision. I looked, I saw, I understood, I felt, "That's that, where do we go from here?"
William Saroyan
A schema is a configuration within the brain, either inborn or learned, against which the input of the nerve cells is compared. ...the conscious mind ...can fill in details that are missing from the actual sensory input and create a pattern in the mind which is not necessarily present in reality. In this way, the gestalt of objects-the impression...-is aided by the taxonomic powers of the schemata.
E. O. Wilson
This film is based on an actual 2004 event that took place at a McDonald's in Mount Washington, Ky. Google it and you'll find most of the same details. If you're not one of the film's walk-outs, you'll discover at the end that 70 similar deceptions have occurred in the United States... If the stunt worked 70 times, they must prove something - perhaps that we are afraid of authority. I know that when a traffic cop pulls me over, I'm frightened - scared enough that I drive safely and am almost never pulled over.
Roger Ebert
