Details Quotes - page 25
The works of Friedrich differ greatly from those of other landscape painters in their motifs. The air - even though he paints it masterfully - takes up more than half of the space in most of his compositions. Middle- and background are often missing because his motifs don't require them. He likes to paint unfathomable plains. He is faithful to nature even in the smallest details and he has mastered his technique - in his oil paintings and sepia drawings - to perfection. His landscapes contain a melancholy, mysteriously religious meaning. They affect the heart more than the eye.
Caspar David Friedrich
By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported,-that the more we know of the fixed laws of nature the more incredible do miracles become,-that the men at that time were ignorant and credulous to a degree almost incomprehensible by us,-that the Gospels cannot be proved to have been written simultaneously with the events,-that they differ in many important details, far too important as it seemed to me to be admitted as the usual inaccuracies of eye-witnesses;-by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation.
Charles Darwin
Minds differ in the vividness with which they recall the elements of previous experience, and mentally see the absent objects; they differ also in the aptitudes for selection, abstraction, and recombination: the fine selective instinct of the artist, which makes him fasten upon the details which will most powerfully affect us, without any disturbance of the harmony of the general impression, does not depend solely upon the vividness of his memory and the clearness with which the objects are seen, but depends also upon very complex and peculiar conditions of sympathy which we call genius.
George Henry Lewes
Men who are never flagrantly dishonest are at times unveracious in small matters, colouring or suppressing facts with a conscious purpose; and writers who never stole an idea nor pretended to honours for which they had not striven, may be found lapsing into small insincerities, speaking a language which is not theirs, uttering opinions which they expect to gain applause rather than the opinions really believed by them. But if few men are perfectly and persistently sincere, Sincerity is nevertheless the only enduring strength.
The principle is universal, stretching from the highest purposes of Literature down to its smallest details. It underlies the labour of the philosopher, the investigator, the moralist, the poet, the novelist, the critic, the historian, and the compiler. It is visible in the publication of opinions, in the structure of sentences, and in the fidelity of citations.
George Henry Lewes
Not without a slight shudder at the danger, I often perceive how near I had come to admitting into my mind the details of some trivial affair, - the news of the street; and I am astonished to observe how willing men are to lumber their minds with such rubbish, - to permit idle rumors and incidents of the most insignificant kind to intrude on ground which should be sacred to thought. Shall the mind be a public arena, where the affairs of the street and the gossip of the tea-table chiefly are discussed? Or shall it be a quarter of heaven itself, - an hypæthral temple, consecrated to the service of the gods? I find it so difficult to dispose of the few facts which to me are significant, that I hesitate to burden my attention with those which are insignificant, which only a divine mind could illustrate. Such is, for the most part, the news in newspapers and conversation. It is important to preserve the mind's chastity in this respect.
Henry David Thoreau
His glance commanded in an instant all that was novel in [a] scenery, and a few outlines on paper recorded it unintelligibly to others. He placed these pictorial memoranda upon mill-board, not larger than a sheet of letter-paper, quite a confused mass. How he worked out the details from such sketches seemed to me wonderful. His views around Plymouth, in the engravings from his pictures, were marvelously varied in effect, as well as faithful representations. His first sketches showed little of the after-picture to the unpracticed eye; perhaps he bore much away in memory, and these were only a kind of shorthand, which he deciphered in his studio.
J. M. W. Turner
So, this is where the story comes from: an unnamed friend of an unnamed acquaintance of Sitaramayya knew of a manuscript, but he took the details of it with him in his grave. This hearsay in the third degree is the "document” on which secularist journalists and historians base their "evidence” of Aurangzeb's fair and secularist disposition. This is how they go about "exploding the myth” of Islamic iconoclasm. Their "debunking” of genuine history as preserved and presented by Hindu historians stands exposed as sheer bluff.
Koenraad Elst
At present the fashion appears to have set in in favour of two very distinct styles. One is a very impure and bastard Italian, which is used in most large secular buildings; and the other is a variety of the architecture of the thirteenth century, often, I am sorry to say, not much purer than its rival, especially in the domestic examples, although its use is principally confined to ecclesiastical edifices. It is needless to say that the details of these two styles are as different from each other as light from darkness, but still we are expected to master both of them. But it is most sincerely to be hoped that in course of time one or both of them will disappear, and that we may get something of our own of which we need not be ashamed. This may, perhaps, take place in the twentieth century, it certainly, as far as I can see, will not occur in the nineteenth.
William Burges
When a man achieves a fair measure of harmony within himself and his family circle, he achieves peace; and a nation made up of such individuals and groups is a happy nation. As the harmony of a star in its course is expressed by rhythm and grace, so the harmony of a man's life-course is expressed by happiness; this, I believe, is the prime desire of mankind.
"The universe is an almost untouched reservoir of significance and value," and man need not be discouraged because he cannot fathom it. His view of life is no more than a flash in time. The details and distractions are infinite. It is only natural, therefore, that we should never see the picture whole. But the universal goal - the attainment of harmony - is apparent. The very act of perceiving this goal and striving constantly toward it does much in itself to bring us closer, and therefore, becomes an end in itself.
Richard E. Byrd
I bow before the authority of special men because it is imposed upon me by my own reason. I am conscious of my inability to grasp, in all its details and positive developments, any very large portion of human knowledge. The greatest intelligence would not be equal to a comprehension of the whole. Thence results, for science as well as for industry, the necessity of the division and association of labor. I receive and I give - such is human life. Each directs and is directed in his turn. Therefore there is no fixed and constant authority, but a continual exchange of mutual, temporary, and, above all, voluntary authority and subordination.
Mikhail Bakunin
The document is an official order, dated May 13, 1941, issued by Franco's chief of security, Jose Maria Finat y Escriva de Romani, to all provincial governors. It instructs them to prepare a list of every Jew in their district, both local residents and foreigners, along with details about "their personal and political leanings, their means of supporting themselves, their commercial activity, the level of threat they constitute and their security classification.
Francisco Franco
I studied a good deal in the museum at Naples; the Pompeian paintings are extremely interesting from every aspect. So I am staying in the sun – not to paint portraits but while I am warming myself and looking hard at things I hope I will have acquired some of the grandeur and simplicity of the old masters. Raphael didn't work out-of-doors, but he studied the sunlight all the same – his frescoes are full of it. So, by looking around outside, I have finished by seeing only the broad harmonies, and am no longer preoccupied with the little details, which only extinguish the sunlight, instead of increasing its brilliance. I hope therefore, when I get back to Paris, to produce something which will be the outcome of all these general studies, and to give you the benefit of them [in a letter written during his three-weeks-stay, working with Paul Cezanne at l'Estaque, near Marseille].
Pierre-Auguste Renoir
The common people remember and tell of what they are able to grasp and what they are able to transform into legend. Anything else passes them by without deeper trace, with the dumb indifference of nameless natural phenomena, which do not touch the imagination or remain in the memory. This hard and long building process was for them a foreign task undertaken at another's expense. Only when, as the fruit of this effort, the great bridge arose, men began to remember details and to embroider the creation of a real, skilfully built and lasting bridge with fabulous tales which they well knew how to weave and to remember.
Ivo Andrić
