Dialogue Quotes - page 10
I think it really is all about technique, but it's where the intersection of acting and singing sort of meets. There has to be a musicality to the delivery of a line of dialogue that gives it impact. Somebody like Nathan Lane understands that. It's in his bones really. He can deliver a line five different ways, and each one has incredible impact and intonation and rhythm.
Nathan Lane
I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.
Peter Greenaway
To me, the irony of this involvement with size, as I observed earlier, is the unwillingness or inability of so many Americans to identify themselves with something as vast as the United States. Bigger cars, bigger parking lots, bigger corporate structures, bigger farms, bigger drug stores, bigger supermarkets, bigger motion-picture screens. The tangible and the functional expand, while the intangible and the beautiful shrink. Left to wither is the national purpose, national educational needs, literature and theater, and our critical faculties. The national dialogue is gradually being lost in a froth of misleading self-congratulation and cliche. National needs and interests are slowly being submerged by the national preoccupation with the irrelevant.
J. William Fulbright
The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian ... and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music ... a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.
Peter Greenaway
No critic, not even a topical analyst, can escape seeing the musical past from a present perspective. But...the common-language approach of the topical-analyst critics permits a separation between present sensibility and the general sensibilities of the late eighteenth century, allowing for an ever-evolving dialogue between the vanished past and the evanescent present.
Harold Powers
Mr. President and I also had direct and open exchange of views on a matter that we may differ, especially on matters related to religion and human rights. And our approach is that we would increase our dialogue in order to have a better understanding of each other. And we are also determined not to let those differences afflict our overall, larger interest.
Nguyen Minh Triet
The people I met with yesterday, including German Foreign Minister Heiko Maas, expressed concern about this situation. If they are concerned, they should talk to their ally, the United States, and have the US sit down and talk substantively, rather than accuse us without any grounds from across the ocean. We are ready for such a dialogue and suggested considering the INF Treaty at the Russia-NATO Council. In response, our NATO colleagues completely blocked all communication channels between the Russian and NATO military...
Sergey Lavrov
A more structured connection with the mass is needed, and we must improve it in the course of the coming years. But as far as initiatives originating in the upper strata of the government are concerned, we are currently utilizing the almost intuitive method of sounding out general reactions to the great problems we confront.
In this Fidel is a master. His own special way of fusing himself with the people can be appreciated only by seeing him in action. At the great public mass meetings one can observe something like the dialogue of two tuning forks whose vibrations interact, producing new sounds. Fidel and the mass begin to vibrate together in a dialogue of growing intensity until they reach the climax in an abrupt conclusion crowned by our cry of struggle and victory.
Che Guevara
We have come up with proposals that we have repeatedly made available to the United States, including in Helsinki, when President Putin met with President Trump. I myself presented one such proposal to US Secretary of State Mike Pompeo. We re-submitted our proposals during a visit by US National Security Adviser John Bolton to Moscow in August and later in October, when he was in Moscow again. These proposals are about starting a serious, candid and professional dialogue on the INF Treaty, compliance with the START Treaty, and a number of other proposals regarding our approaches to strategic stability. We got nothing in response from the US partners. We occasionally remind them about it. They keep saying that we need to correct our mistakes and stop the violations.
Sergey Lavrov
Still - and for all Obama's heavy hinting to the contrary - Islam has no "human rights." The ideas of individual rights and the dignity of man are distinctly Western, an outgrowth of the Enlightenment. And while dialogue is dignified; dhimmitude is not, even if it achieves a desired, if temporary, effect.
Ilana Mercer
Think of lab rats racing through a maze, when you watch the sub-intelligent, dual-panel 'dialogue' conducted on the teli. Each rat runs with a designated, neatly bifurcated (Republican or Democratic) political orthodoxy. Each is a 'maze-bright' rat, and not the possessor and giver of any truth.
Ilana Mercer
In the Platonic dialectic, ... the terms "Being” "Non-being” "Movement,” "the One and the Many” "Identity” and "Contradiction” are methodically kept open, ambiguous, not fully defined. They have an open horizon, an entire universe of meaning which is gradually structured in the process of communication itself, but which is never closed. The propositions are submitted, developed, and tested in a dialogue, in which the partner is led to question the normally unquestioned universe of experience and speech, and to enter a new dimension of discourse - otherwise he is free and the discourse is addressed to his freedom. He is supposed to go beyond that which is given to him - as the speaker, in his proposition, goes beyond the initial setting of the terms. These terms have many meanings because the conditions to which they refer have many sides, implications, and effects which cannot be insulated and stabilized.
Herbert Marcuse
Turkey is not ready to continue the process that was started and to move forward without preconditions in line with the letter of the Protocols... We consider unacceptable the pointless efforts of making the dialogue between Armenia and Turkey an end in itself; from this moment on, we consider the current phase of normalization exhausted.
Serzh Sargsyan
In dialogue, I'm dealing with the sounds I've heard. One of the reasons I often write from first person or multiple points of view is to hear the voices of different characters. Omniscient narration becomes a problem because, for me, the omniscient is my own voice narrating the story and then bringing in characters for dialogue.
Ernest Gaines
I was forced and pushed into the kind of painting that I did [during the late 1940's / early 1950's]. That is to say, the demands in this dialogue with myself – I give to it, I make some marks, it speaks to me, I speak to it, we have terrible arguments going on all night, weeks and weeks – do I really believe that? I make a mark, a few strokes, I argue with myself, not do I like or not, but is it true or not? Is that what I mean, is that what I want?
Phillip Guston
