Colors Quotes - page 22
Not the least among the arguments whose consideration should dispose us to welcome among us the peoples of all countries, nationalities and colors, is the fact that all races and varieties of men are improvable. This is the grand distinguishing attribute of humanity, and separates man from all other animals. If it could be shown that any particular race of men are literally incapable of improvement, we might hesitate to welcome them here. But no such men are anywhere to be found, and if they were, it is not likely that they would ever trouble us with their presence.
Frederick Douglass
What was it, he wondered for the hundredth time, that enabled Pastor Harris to hear the answers in his heart? What did he mean when he said he felt God's presence? Steve supposed he could ask Pastor Harris directly, but he doubted that would do any good. How could anyone explain such a thing? It would be like describing colors to someone blind from birth: The words might be understood, but the concept would remain mysterious and private.
Nicholas Sparks
I think that for me any picture that works even if it is in the guise of pure color application, if it works, involved drawing. That is falt space on a flat surface. And for me, and I always say this, whether it's a Titian or a [Kenneth] Noland, the ones that come off work in that depth and the color perhaps it is divine and the thing that makes it work, but it is line color. If it doesn't work then it's decorative or dead or just applied colors on a surface. That's what wallpaper is. And that's the difference between the striped wallpaper and a great Noland.
Helen Frankenthaler
![I mixed [early 1950's] funny shades of colors and used them but I used them because they made the drawing in my picture move. It wasn't because I was in love with the idea of putting color down. But these colors were the expedient things to use for the way I drew and I say 'draw' not meaning line, though it might have included line. But the way I drew or envisioned or made my work. And it happened that it came out stressing color. But I did not have a vision or a notion about color per se being the thing that would make me or my pictures work or operate. (Helen Frankenthaler)](https://cdn.quotesdtb.com/img/quotes_images_webp/02/helen-frankenthaler-came-color-855202.webp)
I had no desire to copy Pollock. I didn't want to take a stick and dip it in a can of enamel [paint]. I needed something more liquid, watery, thinner. All my life, I have been drawn to water and translucency. I love the water; I love to swim, to watch changing seascapes. One of my favorite childhood games was to fill a sink with water and punt nail polish into to see what happened when the colors burst up the surface, merging into each other as floating, changing shapes.
Helen Frankenthaler
All this countryside [along the Seine] was calm and peaceful. The strongest emotions I have experienced on the high roads or on the hill tops whence I could see down into the valleys on tot he roofs of houses which I felt I could reach out and touch with my hand.. And then I was tempted to begin painting [c. 1893 - 17 years old]... I composed instinctively and awkwardly. I applied colors with only one idea which justified everything: to express what I felt. I painted hesitantly and exclusively for myself and no one else. It seemed to me that water, sky, clouds and trees understood the happiness they gave me.
Maurice de Vlaminck
As for the value of color I am close to the philosophy of Fauvists: Matisse, Raoul Dufy, and Vlaminck. In other words, color for me is the most important constituent of painting. The composition and form extract themselves from the depth of color. My colors are the spirit of my paintings. For example, when the space is sad it is my pallet of colors that convey this sadness first.
Guity Novin
If I were the type of artist that didn't care whether or not my works communicated with viewers then I wouldn't bother exhibiting them, I might as well stock them in a warehouse. But I do exhibit and I do care because I want to communicate back to the viewer what I've viewed. My paintings are inspired by my homeland's traditional spaces. My colors are the colors of monasteries and mosques, the color of ruins of Sassanid and Seljuq era, colors of Bazaars of Isfahan and Shiraz, and colors of northern-Iran's ceramics. I have sensed all these colors, forms and everything within my painting's frame from the viewer's own world.
Guity Novin
If I had grown up in that house I couldn't have loved it more, couldn't have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon . . . . The very colors of the place had seeped into my blood.
Donna Tartt
Modern man ... when he looks at his daily newspaper ... sees the events of the day refracted through a medium which colors them as effectively as the cosmology of the medieval scientist determined his view of the starry heavens. The newspaper is a man-made cosmos of the world of events around us at the time. For the average reader it is a construct with a set of significances which he no more thinks of examining than did his pious forbear of the thirteenth century-whom he pities for sitting in medieval darkness-think of questioning the cosmology. This modern man, too, lives under a dome, whose theoretical aspect has been made to harmonize with a materialistic conception of the world. And he employs its conjunctions and oppositions to explain the occurrences of his time with all the confidence of the now supplanted discipline of astrology.
Richard Weaver
