Colors Quotes - page 21
I do indeed believe that there is a certain contrast between, say, people in scientific professions and people working in the arts. Often there is even mutual suspicion and irritation, and in some cases one group greatly undervalues the other. Fortunately there is no one who actually has only feeling or only thinking properties. They intermingle like the colors of the rainbow and cannot be sharply divided.
M. C. Escher
In several respects, I consider my father as one of the most interesting men I have known. He was a man of perhaps the very largest natural endowment of any it has been my lot to converse with. None of us will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was) with, all manner of potent words which he appropriated and applied with a surprising accuracy you often would not guess whence; brief, energetic, and which I should say conveyed the most perfect picture - definite, clear, not in ambitious colors, but in full white sunliglit - of all the dialects I have ever listened to.
Thomas Carlyle
Machine-held strings of binary digits can simulate a great many kinds of things, of which numbers are just one kind. For example, they can simulate automobiles on a freeway, chess pieces, electrons in a box, musical notes, Russian words, patterns on a paper, human cells, colors, electrical circuits, and so on. To think of a computer as made up essentially of numbers is simply a carryover from the successful use of mathematical analysis in studying models. Most of this series of lectures has been devoted to applications of computers, and this is not the time to give details about their usefulness. I merely wish to point out certain types of things being done with computers today that could not have been done in 1945. Some of these are technological, some are intellectual.
George Forsythe
I don't say that it is a bad or useless profession: but it isn't one of the superlatively fine and striking ones, and the material used is of a strange sort - you don't even see it. But I'd like all the things I used to see to be in it: the ringing hammer-strokes of the smith and the colors of the whisping of the stone-mason, the bustling of the baker, the humility of the poor, and all the lusty strength and skill which men of towering stature put into their work before the astonished and fascinated eyes of a child.
Karel Čapek
Seeing several of these paintings [his series paintings 'Hommage to the square', Josef Albers painted in 1963-64] next to each other makes it obvious that each painting is an instrumentation on its own.
This means that they all are of different palettes, and, therefore, so to speak, of different climates.
Choice of the colors used, as well as their order, is aimed at an interaction – influencing and changing each other forth and back.
Thus, character and feeling alter from painting to painting without any additional 'handwriting' or, so-called, texture.
Though the underlying symmetrical and quasi-concentric order of squares remains the same in all paintings – in proportion and placement – these same squares group or single themselves, connect and separate in many different ways
In consequence, they move forth and back, in and out, and grow up and down and near and far, as well as enlarged and diminished. All this to proclaim color autonomy as a means of plastic organization.
Josef Albers
The first and most important thing to understand about politics is this: forget Right, Left, Center, socialism, fascism, or democracy. Every government that exists - or ever existed, or ever will exist - is a kleptocracy, meaning 'rule by thieves'. Competing ideologies merely provide different excuses to separate the Productive Class from what they produce. If the taxpayer/voters won't willingly fork over to end poverty, then maybe they'll cough up to fight drugs or terrorism. Conflicting ideologies, as presently constituted, are nothing more than a cover for what's really going on, like the colors of competing gangs.
L. Neil Smith
So different are the colors of life, as we look forward to the future, or backward to the past and so different the opinions and sentiments which this contrariety of appearance naturally produces, that the conversation of the old and young ends generally with contempt or pity on either side.
Samuel Johnson
