Broad Quotes - page 26
[T]he broad record of the British race stands to be judged on facts that are incontestable. It is the fact that during the nineteenth century, when the power of this country was unchallenged, there was no nation in Europe that felt for that reason insecure, or that did not recognize our power to be an instrument of peace. The Pax Britannica has been no empty or self-righteous boast of purpose. It is the fact too that in every corner of the world where men of British race have established influence, there by immutable law of nature you find established the seed and plant of liberty. It is the trail by which is marked their progress, interpreted to all by the standards of good faith, respect for law, and equal justice. Most truly, therefore, of our people was it said: "Their country's cause is the high cause of freedom and honour. That fairest earthly fame, the fame of freedom, is inseparable from the names of Albion, Britain, England.”.
Edward Wood
I studied a good deal in the museum at Naples; the Pompeian paintings are extremely interesting from every aspect. So I am staying in the sun – not to paint portraits but while I am warming myself and looking hard at things I hope I will have acquired some of the grandeur and simplicity of the old masters. Raphael didn't work out-of-doors, but he studied the sunlight all the same – his frescoes are full of it. So, by looking around outside, I have finished by seeing only the broad harmonies, and am no longer preoccupied with the little details, which only extinguish the sunlight, instead of increasing its brilliance. I hope therefore, when I get back to Paris, to produce something which will be the outcome of all these general studies, and to give you the benefit of them [in a letter written during his three-weeks-stay, working with Paul Cezanne at l'Estaque, near Marseille].
Pierre-Auguste Renoir
..as is also another [painting] of Diana, who, bathing in a fount with her Nymphs, transforms Actaeon into a stag.. ..He also painted Europa passing over the sea on the back of the Bull. All these pictures are in the possession of the Catholic King, held very dear for the vivacity that Tiziano has given to the figures with his colors, making them natural and as if alive. It is true, however, that the method of work which he employed in these last pictures is no little different from the method of his youth, for the reason that the early works are executed with a certain delicacy and a diligence that are incredible, and they can be seen both from near and from a distance, and these last works are executed with bold strokes and dashed off with a broad and even coarse sweep of the brush, insomuch that from near little can be seen, but from a distance they appear perfect.
Titian
Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wreckt.
I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, - perhaps a jealous foe,
The dreariest and the longest journey go.
Percy Bysshe Shelley