Technical Quotes - page 24
Prestige, competitive reputation, social philosophy, social standing, philanthropic interests, combativeness, love of intrigue, dislike of friction, technical interest, Napoleonic dreams, love of accomplishing useful things, desire for regard of employees, love of publicity, fear of publicity – a long catalogue of non-economic motives actually condition the management of business, and nothing but the balance sheet keeps these non-economic motives from running wild. Yet without all these incentives, I think most business would be a lifeless failure.
Chester Barnard
Freedom from labor itself is not new it once belonged among the most firmly established privileges of the few. In this instance, it seems as though scientific progress and technical developments had been only taken advantage of to achieve something about which all former ages dreamed but which none had been able to realize.
Hannah Arendt
As a result of this continuous improvement of productivity through the division of labor and technical advancement, one hour's labor today is worth about 25 times more than it was in the mid-19th century [.... ] Growth and productivity alone are capable of raising real wages in the long run.
Johan Norberg
As far back as 1624... Louis Savot invented the first heat-circulating fireplace. His unit was installed in the Louvre, Paris, and became the prototype for Ben Franklin's 1742 Pennsylvania stove. The 1624 French fireplace achieved 30 to 45 percent more efficiency than do most American tract home fireplaces of today! Savot surrounded the grate of his creation with a metal chamber, which had warm air outlets above the fire opening. He also supplied the fire with air from under the floor. Thus, room drafts were reduced and combustion efficiency was further improved. Few people are aware that practically all of the technical features of Franklin's Pennsylvania stove were copied from earlier inventors.
Ken Kern
Technical criticism in particular is the despair of the artist. No one but an idiot would offer a poet his comments in terms of spondees and trochees; why must the painter daily suffer the indignity? Any picture which makes one conscious first of its technical qualities, good or bad, is not a good picture, whatever else it may be.
Patrick Swift
The interesting thing is what happens in the specific picture: its precision in terms of the sensations it produces - the illusion it creates and the effect of this illusion on the psychology opposed to it. General philosophical and technical information however interesting in itself is secondary to this reality.
Patrick Swift
For the painter, for whom painting is a vital activity and a way of life - not merely a profession - such attitudes as we find in the histories are deadly. For him the only benefit, at least the deepest and most important benefit, which he can get from the study of the Masters comes from his capacity to see the painting in a thoroughly contemporary way. I mean in the present tense - the tense after all in which it was painted. Not for instance as an early this or a late that, nor as a good example of chiaroscuro or some other aesthetic or technical quality but as an immediately important human statement completely relevant to his life at the moment and convincing for that reason. If a work does not strike the painter in this way all further analysis of it will be futile.
Patrick Swift
The WTO was put in place following the signing of a "technical agreement" negotiated behind closed doors by bureaucrats. Even the heads of country-level delegations to Marrakech in 1994 were not informed regarding the statutes of the WTO, which were drafted in separate clossed sessions by technocrats.
Michel Chossudovsky
Film and television essentially feel the same when you're doing it, because it's the same technical approach. All the homework is the same. The homework for each medium is all similar, but the gratification in a live theater context is much higher, because it's immediate. It's far more dangerous, because there are no retakes. It's electric, it's an actual chemical transaction that occurs between you and the audience. Whatever energy you're throwing out to them they throw it right back to you, and it kind of feeds on itself in this vacuum...
Benjamin Bratt
Few can contemplate without a sense of exhilaration the splendid achievements of practical energy and technical skill, which, from the latter part of the seventeenth century, were transforming the face of material civilization, and of which England was the daring, if not too scrupulous, pioneer.
E. F. Schumacher
