Tour Quotes - page 28

Ceausescu substituted constructive action with frenzy. He went on a continuous rollercoaster, whistle-stop tour of the country. Once on this whirligig of official visits, speeches and congresses, he never got off it. The whirligig became faster and faster and more elaborate, with visits to foreign countries and a constant shuffling of ministers and ministries. It makes anyone who tries to follow it dizzy. It consumed his and everybody else's time; it wasted resources and achieved little. But inside Ceausescu's head frenzy equalled progress: it was an intellectual confusion to which, as time rolled on, the whole country was to succumb. (John Sweeney (journalist))
Illusion, dance, mime, even magic - the Tour of Life, as it was called, had the lot. I shan't forget the way those Pink Floyd-like whale sounds that open The Kick Inside album heralded Kate's entry to the stage as waves were projected on huge screens and her band launched into Moving. For a split second, the audience thought Kate was lip-synching because there was no microphone, but in pre-dating Madonna by a couple of decades, she was wearing a headset to allow free movement around the stage. Every song from that first album was performed before the switch to stuff from follow-up Lionheart, virtually every number warranting a change of costume and stage set. ... The entire show was pure theatre. View quote
Kate Bush
[After the last tour] it was like, 'OK, we've got to that place, we've got to that job description, now what are we going to do with it? And I hadn't felt that we'd got there until the end of that tour. Nothing is left in terms of career aspirations. You're just left with, 'Well, our job is to translate the songs that we receive and get out there and be of use to people if they want it.' We've got to be a service, like a TV station. Or a tap. source source. View quote
Chris Martin
The bass suit was actually one of the first cordless guitars in existence, and I invented it. It was built right into this silver bodysuit so it looked as though the bass was coming out of my body, and the volume and tone knobs were on the sleeve...When it worked it was great, but the tunings were a little strange, plus I can't tell you how many times I got shocked. It wound up being just one more thing that we had to worry about on tour: ‘Well, I wonder if this will work tonight.' After a while I couldn't stand wearing it anymore so I gave it up. View quote
Dan Hartman