Sentence Quotes - page 8
And the soul, my soul at least, longs for something else, not absorption, not quietude, not peace, not appeasement, it longs ever to approach and never to arrive, it longs for the never-ending longing, for an eternal hope which is eternally renewed but never wholly fulfilled. And together with all this, it longs for an eternal lack of something and an eternal suffering. A suffering, a pain, thanks to which it grows without ceasing in consciousness and longing. Do not write upon the gate of heaven that sentence which Dante placed over the threshold of hell, Lasciate ogni speranza! [Lasciate ogne speranza, voi ch'intrate: All hope abandon, ye who enter in] Do not destroy time!
Miguel de Unamuno
From the beginning, I knew the public reaction to my decisions would be colored by whether there was another attack. If none happened, whatever I did would probably look like an overreaction. If we were attacked again, people would demand to know why I hadn't done more. That is the nature of the presidency. Perceptions are shaped by the clarity of hindsight. In the moment of decision, you don't have that advantage. On 9/11, I vowed that I would do what it took to protect America, within the Constitution and laws of our nation. History can debate the decisions I made, the policies I chose, and the tools I left behind. But there can be no debate about one fact: After the nightmare of September 11, America went seven and a half years without another successful terrorist attack on our soil. If I had to summarize my most meaningful accomplishment as president in one sentence, that would be it.
George W. Bush
Chesterton was important - as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien's words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.
Neil Gaiman
And Festus said with a loud voice, Paul, thou art beside thyself.β
Acts 26:24.
And so say all the world, the men who know not God, of all that are of Paul's religion: of every one who is so a follower of him as he was of Christ. It is true, there is a sort of religion, nay, and it is called Christianity too, which may be practised without any such Imputation, which is generally allowed to be consistent with common sense, -that is, a religion of form, a round of outward duties, performed in a decent, regular manner. You may add orthodoxy thereto, a system of right opinions, yea, and some quantity of heathen morality; and yet not many will pronounce, that "much religion hath made you mad.β But if you aim at the religion of the heart, if you talk of "righteousness, and peace, and joy in the Holy Ghost,β then it will not be long before your sentence is passed, "Thou art beside thyself.
John Wesley
On 11 October 1908, having worked for six years at my international magazine Poesia, in an attempt to free the Italian lyrical genius that was under sentence of death from its traditional and commercial fetters, I suddenly felt that articles, poetry and controversies were no longer enough. It was absolutely crucial to switch methods, get out into the streets, lay siege to theaters, and introduce the fisticuffs into the artistic struggle... My Italian blood raced faster when my lips coined out loud the word FUTURISM.
It was the new formula of Action-Art and a code of mental health. It was a youthful and innovative banner, anti-traditional, optimistic, heroic and dynamic, that had to be hoisted over the ruins of all attachment to the past.
Filippo Tommaso Marinetti