Uses Quotes - page 8
But leaving this, let us remark one thing which is very plain: That whatever be the uses and duties, real or supposed, of a Secretary in Parliament, his faculty to accomplish these is a point entirely unconnected with his ability to get elected into Parliament, and has no relation or proportion to it, and no concern with it whatever.
Thomas Carlyle
And then about whether or not to work from a given in nature. In my view, you [ Van Doesburg ] define this in a rather narrow sense. In the main, I do agree with you that the destruction of the natural, and it reconstruction, must be accomplished according to a spiritual image, but I believe that we should take a broad view here. What is natural does not have to be a representation of something. I'm now working on a thing that is a reconstruction of a starry sky ['Composition, Checkerboard Dark Colours', 1919] and yet I'm making it without a given from nature. Someone who says he uses a theme from nature can be right, but also someone who says he uses nothing at all.
Piet Mondrian
One outcome of the Norman Conquest was the making of the English language. ...the speech of Alfred and Bede, was exiled from hall and bower, from court and cloister, and was despised as a peasant's jargon... It ceased almost, though not quite, to be a written language. ... Now when a language is seldom written and is not an object of interest to scholars, it quickly adapts itself in the mouths of plain people to the needs and uses of life. ...it can be altered much more easily when there are no grammarians to protest. During the three centuries when our native language was a peasant's dialect, it lost its clumsy inflexions and elaborate genders, and acquired the grace, suppleness, and adaptability which are among its chief merits.
G. M. Trevelyan
Today every child knows what Merz is. But what is 'i'? I is the middle vowel of the alphabet and the designation for the consequence of Merz in relation to an intensive apprehension of the art form. For the shaping of the work of art Merz uses large ready-made complexes that count as material, to shorten as much as possible the path leading from the intuition to the actualization (Sichtbarmachung) of the artistic idea, so as to avoid heat loss through friction. i defines this path as o (i setzt diesen Weg = null). Idea, material, and work of art are the same. i apprehends the work of art in nature. Here the artistic shaping is the recognition of rhythm and expression in a part of nature. Thus, no loss through friction i. e., no disturbing distraction during creation occurs here.
Kurt Schwitters
From the day that the impressionists liberated painting, the modern picture set out at once the structure itself on contrasts; instead of submitting to a subject, the painter makes an insertion and uses a subject in the service of purely plastic means.... [the contemporary painter] must prepare himself in order to confer a maximum of plastic effect on means that have not yet been used. He must not become an imitator of the new visual objectivity, but be a sensibility completely subject to the new state of things.
Fernand Léger
Wadewitz eventually came out as a Wikipedian, the term the encyclopedia uses to describe the tens of thousands of volunteers who write and edit its pages. A rarity as a woman in the male-centric Wikipedia universe, she became one of its most valued and prolific contributors as well as a force for diversifying its ranks and demystifying its inner workings.
Adrianne Wadewitz
In a word, everything is for sale, anything can be bought in our country. And in this flow, he who holds the slightest cover of public authority uses it illegally to acquire money, goods, prestige or to avoid obligations. The right to be recognized by a public servant, to have one's children enrolled in school, to obtain medical care, etc. ...are all subject to this tax which, though invisible, is known and expected by all.
Mobutu Sésé Seko
The powers, and faculties, and principles that are necessary fully to comprehend all that we see and all that surrounds us, exist and have been bestowed on man by his beneficent Creator. Still, it is only by slow degrees that he is to become their master, acquiring knowledge, step by step, as he has need of its services, and learns how to use it. Such seems to be the design of Providence, which is gradually opening to our inquiries the arcana of nature, in order that we may convert their possession into such uses as will advance its own wise intentions. Happy are they who feel this truth in their character of individuals! Thrice happy the nations which can be made to understand, that the surest progress is that which is made on the clearest principles, and with the greatest caution! The notion of setting up anything new in morals, is as fallacious in theory as it will be found to be dangerous in practice.
James Fenimore Cooper
In conceptual art the idea or the concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art. This kind of art is not theoretical or illustrative of theories; it is intuitive; it is involved with all types of mental processes and it is purposeless. It is usually free from the dependence on the skill of the artist as a craftsman.
Sol LeWitt
Water does not care whether you bathe in it or drown in it. The mountains do not care whether you climb them or go around them. The stars do not care whether man reaches them or not. The universe does not care whether man masters all the relationships of its forces and processes, or dies because he refuses to master them. Life continues as it uses those relationships to further its growth. It ceases when it becomes overcome by still other forces which it cannot master.
Mark Clifton
As in the case of the individual, not all the information which is available to the race at one time is accessible without special effort. There is a well-known tendency of libraries to become clogged by their own volume; of the sciences to develop such a degree of specialization that the expert is often illiterate outside his own minute specialty. Dr. Vannevar Bush has suggested the use of mechanical aids for the searching through vast bodies of material. These probably have their uses, but they are limited by the impossibility of classifying a book under an unfamiliar heading unless some particular person has already recognized the relevance of that heading for that particular book. In the case where two subjects have the same technique and intellectual content but belong to widely separated fields, this still requires some individual with an almost Leibnizian catholicity of interest.
Norbert Wiener
Giraffes do use their long necks to browse leaves, at the tops of acacia trees - but such current function, no matter how vital, does not prove that the neck originally evolved for this purpose. The neck may have first lengthened in context of a different use, and then been coopted for better dining when giraffes moved into the open plains. Or the neck may have evolved to perform several functions at once. We cannot learn the reasons for historical origin simply by listing current uses.
Stephen Jay Gould
Neither reason nor faith will ever die; for men would die if deprived of either. The wildest mystic uses his reason at some stage; if it be only by reasoning against reason. The most incisive sceptic has dogmas of his own; though when he is a very incisive sceptic, he has often forgotten what they are. Faith and reason are in this sense co-eternal; but as the words are popularly used, as loose labels for particular periods, the one is now almost as remote as the other. What was called the Age of Reason has vanished as completely as what are called the Ages of Faith.
G. K. Chesterton
