Opening Quotes - page 17
In concluding these papers, I hope I may be permitted to offer a few words in favour of anatomy, as better adapted for discovery than experiment. ... Experiments have never been the means of discovery; and a survey of what has been attempted of late years in physiology, will prove that the opening of living animals has done more to perpetuate error, than to confirm the just views taken from the study of anatomy and natural motions.
Charles Bell
Property rights develop to internalize externalities when the gains of internalization become larger than the cost of internalization. Increased internalization, in the main, results from changes in economic values, changes which stem from the development of new technology and the opening of new markets, changes to which old property rights are poorly attuned [G]iven a community's tastes... [for private versus state ownership], the emergence of new private or state-owned property rights will be in response to changes in technology and relative prices.
Harold Demsetz
There always was and there always will be conflict between Good and Good Enough, and in opening up a new business or a new department one can count upon meeting resistance to a high standard of workmanship. It is easy to get cooperation for mediocre work, but one must sweat blood for a chance to produce a superior product.
Henry M. Leland
Flowers fade and fly, and flying fill the sky;
Their bloom departs, their perfume gone, yet who stands pitying by? ...
Oh, let me sadly bury them beside these steps to-night! ...
Farewell, dear flowers, for ever now, thus buried as 'twas best,
I have not yet divined when I with you shall sink to rest.
I who can bury flowers like this a laughing-stock shall be;
I cannot say in days to come what hands shall bury me.
See how when spring begins to fail each opening floweret fades;
So too there is a time of age and death for beauteous maids;
And when the fleeting spring is gone, and days of beauty o'er,
Flowers fall, and lovely maidens die, and both are known no more.
Herbert Giles
Well! according to the sketch your picture [which Whistler sent him in a letter] seems well-composed, the lines of sky, sea, the position of the figures all that seems very, very well done[, ] on opening the letter it struck me immediately, an impression of decorative ornamentation which makes a good picture appeal to the eye as well - upside down and any other way up. Arrangement, layout, composition. etc - mysterious words harmonious laws - in no way conventional - needs of the Artist glory of the Raphael's Michelangelo's etc etc - for me a repetition a hesitation, a matter of feeling - which should also be a law, a mathematical thing, like form, like light, colour[. ] I find similarities with the colour method which works by opposing colours to arrive at a harmony that is to say to make a canvas a complete whole, to put into a small space an image with all the forces all the principles of nature - [instead of showing a part of it]..
Henri Fantin-Latour
While I was pursuing the concept of geometrical product, as this idea was established by my father... I concluded that not only rectangles, but also parallelograms, may be viewed as products of two adjacent sides, provided that the sides are viewed not merely as lengths, but rather as directed magnitudes. When I joined this concept of geometrical product with the previously established idea of geometrical sum the most striking harmony resulted. Thus when I multiplied the sum of two vectors by a third coplaner vector, the result coincided (and must always coincide) with the result obtained by multiplying separately each of the two original vectors by the third... and adding together (with due attention to positive and negative values) the two products. [Thus A(B + C) = AB + AC. ]
From this harmony I came to see a whole new area of analysis was opening up which could lead to important results.
Hermann Grassmann
![As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right.... There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each.... [with] standing light and the paintings positioned on an easel or standard behind.... I just want to add here, that my own studio can serve as a very special model.... concerning the sizes and the lighting. (Jozef Israëls)](https://cdn.quotesdtb.com/img/quotes_images_webp/16/jozef-isra-ls-add-851216.webp)
Arms, hands [of the two van Gogh brothers, Vincent and Theo], like rifles, thrust out like non-stop ideas thoughts. Enormous thick veins like the ropes of a ship through which flow thoughts and inspirational excitement. They join the two brothers like nerve connections that pass from one body to the other, channeling the waves and opening up both in a magnetic ring of work and passion.
Ossip Zadkine
Thus we see remarkable indications of God's returning favor to Israel: in driving them out of other countries by great persecutions, in opening up Palestine to receive them, in inviting them thither by special providences in their favor in the way of benevolent enterprises for their improvement and assistance, and also in this significant movement which is the beginning of the turning away of Israel's blindness. And how evidently it is all of God!
Charles Taze Russell
As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.
Roger Raveel
I think what's interesting about the whole paparazzi thing is that unless you're Brad Pitt or Madonna, you can pretty much avoid it. You know when you're going to an opening that you will be photographed, so that's fine. And you know the restaurants that have paparazzi, so you don't go to them.
Annette Bening
