Catholic Quotes - page 29
Nothing is easier than to falsify the past. Lifeless instruction will do it. If you rob it of vitality, stiffen it with pedantry, sophisticate it with argument, chill it with unsympathetic comment, you render it as dead as any academic exercise. The safest way in all ordinary seasons is to let it speak for itself: resort to its records, listen to its poets and to its masters in the humbler art of prose. Your real and proper object, after all, is not to expound, but to realize it, consort with it, and make your spirit kin with it, so that you may never shake the sense of obligation off. In short, I believe that the catholic study of the world's literature as a record of spirit is the right preparation for leadership in the world's affairs, if you undertake it like a man and not like a pedant.
Woodrow Wilson
You compare Cardozo with Spinoza; but as far as I can judge by your book there is no intellectual comparison. Spinoza was not soft. I have been all my life long a fervent disciple of Spinoza precisely on account of his firmness, of his uncompromising naturalism. Yet even he leaves out the three traditions which, however false their cosmology, seem to me morally sound: the Greek, the Catholic, and the Indian. I am therefore not a disciple of Spinoza in his ideal of human life: It leaves out poetry, art, traditional religion, military and constructive patriotism. His society would be a tame society, where there would be no masters, but all would be voluntary slaves. Perhaps you feel something of my difficulty when you point out that "art" is an indispensable ingredient in everything human.
Baruch Spinoza
..as is also another [painting] of Diana, who, bathing in a fount with her Nymphs, transforms Actaeon into a stag.. ..He also painted Europa passing over the sea on the back of the Bull. All these pictures are in the possession of the Catholic King, held very dear for the vivacity that Tiziano has given to the figures with his colors, making them natural and as if alive. It is true, however, that the method of work which he employed in these last pictures is no little different from the method of his youth, for the reason that the early works are executed with a certain delicacy and a diligence that are incredible, and they can be seen both from near and from a distance, and these last works are executed with bold strokes and dashed off with a broad and even coarse sweep of the brush, insomuch that from near little can be seen, but from a distance they appear perfect.
Titian