Version Quotes - page 7
![[another part / version of Whistler's lecture:]
Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful-as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony. To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano. That Nature is always right, is an assertion, artistically, as untrue, as it is one whose truth is universally taken for granted. Nature is very rarely right, to such an extent even, that it might almost be said that Nature is usually wrong: that is to say, the condition of things that shall bring about the perfection of harmony worthy a picture is rare, and not common at all. (James McNeill Whistler)](https://cdn.quotesdtb.com/img/quotes_images_webp/65/james-mcneill-whistler-almost-457765.webp)
This implication of the Mathematical Universe Hypothesis is pretty radical, so please pause your reading for a moment to take it in and think about it. What you're aware of right at this moment feels not like a photo but like a movie clip. This movie isn't reality-it exists only in your head, as part of your brain's reality model. It contains lots of information about the actual external physical reality-as long as you aren't dreaming or hallucinating-but still constitutes only a very heavily edited version of reality, akin to the evening news on TV, mainly featuring certain highlights of patterns nearby in space and time that your brain thinks are useful for you to be aware of.
Max Tegmark
The offer to direct an animated version of Blue Dragon came in February of last year [2006]. Studio Pierrot approached me regarding it. I knew that Sakaguchi had been working on assembling staff to produce a game, although at the time Blue Dragon hadn't yet been formally announced. According to the materials, it was to be a fantasy world like Lord of the Rings, with a detailed world view and story. This may be my final anime, I'm a little worried (about it). There's incredible pressure, but at the same time, there's a sense of accomplishment - that it's worth doing. Blue Dragon will be a masterpiece, not simply because I'm working hard on it, but because the staff is expecting nothing less.
Akira Toriyama
There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version. It was exactly what was released two months later with the exception of a couple of reaction shots which we went back in to get. I liked the movie very much and asked him what the studio's problem was. I felt that he was at a point where they might have worn him down.
Madeleine Stowe
Monetarism-both of the older Friedman version stressing adherence to money stock targets and of the newer rational expectations variety-has been badly discredited. The stage has been set for recovery in the popularity of Keynesian diagnoses and remedies. I do not mean to imply, of course, that there is some Keynesian truth, vintage 1936 or 1961, to which economists and policymakers will or should now return, ignoring the lessons of economic events and of developments in economics itself over these last turbulent fifteen years. I do mean that in the new intellectual synthesis which I hope and expect will emerge to replace the divisive controversies and chaotic debates on macroeconomic policies, Keynesian ideas will have a prominent place.
James Tobin
Attending this new version, I felt oddly as if I were watching a provincial stock company doing the best it could without the Broadway cast. I was reminded of the child prodigy who was summoned to perform for a famous pianist. The child climbed onto the piano stool and played something by Chopin with great speed and accuracy. The great musician then patted the child on the head and said, 'You can play the notes. Someday, you may be able to play the music.
Roger Ebert
It's in the action scenes that things fall apart. Consider the scene where Spider-Man is given a cruel choice between saving Mary Jane or a cable car full of school kids. He tries to save both, so that everyone dangles from webbing that seems about to pull loose. The visuals here could have given an impression of the enormous weights and tensions involved, but instead the scene seems more like a bloodless storyboard of the idea. In other CGI scenes, Spidey swoops from great heights to street level and soars back up among the skyscrapers again with such dizzying speed that it seems less like a stunt than like a fast-forward version of a stunt.
Roger Ebert
A non-mathematical presentation has necessary limitations; and the reader who wishes to learn how certain exact results follow from Einstein's, or even Newton's, law of gravitation is bound to seek the reasons in a mathematical treatise. ...[T]he geometry of relativity in its perfect harmony expresses a truth... which my bowdlerised version misses.
But the mind is not content to leave scientific Truth in a dry husk of mathematical symbols, and demands that it shall be alloyed with familiar images.
Arthur Eddington
I would dramatically reduce the safeguards for software - from the ordinary term of 95 years to an initial term of 5 years, renewable once. And I would extend that government-backed protection only if the author submitted a duplicate of the source code to be held in escrow while the work was protected. Once the copyright expired, that escrowed version would be publicly available from the copyright office.
Most programmers should like this change. No code lives for 10 years, and getting access to the source code of even orphaned software projects would benefit all. More important, it would unlock the knowledge built into this protected code for others to build upon as they see fit. Software would thus be like every other creative work - open for others to see and to learn from.
Lawrence Lessig
Above everything else, perhaps, was today's concept of working together. I don't mean its totalitarian version, for which Jack Havig had total loathing, or that "togetherness,” be it in a corporation or a commune, which he despised. I mean an enlightened pragmatism that rejects self-appointed aristocrats, does not believe received doctrine is necessarily true, stands ready to hear and weigh what anyone has to offer, and maintains well-developed channels to carry all ideas to the leadership and back again.
Poul Anderson
"This is a very old argument. The greatest happiness of the greatest number. If you think about it, you'll find it always works out that a few suffer for the good of the rest."
"In stories," Gair agreed hopelessly. "brave men die defending the rest. But this isn't like that!"
"Call it the modern version," Mr Claybury suggested kindly.
Diana Wynne Jones
It was, I saw, a flat to get out of rather than one to stay in. It was a machine for eating and sleeping in, a suitable dwelling place for a working woman, whose main interest is in her work. I disliked this version of myself, which seemed to negate my other activities, reduced them to after-hours amusements, whereas I had always thought them pretty central. These mute, white walls had been silent witnesses to many encounters; nevertheless, they withheld comment, and their very withholding struck me as unfriendly. Unheimlich was the word which came to mind when I stood on the threshold of my bedroom.
Anita Brookner
This is Orson Welles, ladies and gentlemen, out of character, to assure you that The War of the Worlds has no further significance than as the holiday offering it was intended to be; The Mercury Theatre's own radio version of dressing up in a sheet and jumping out of a bush and saying "Boo!" Starting now, we couldn't soap all your windows and steal all your garden gates by tomorrow night, so we did the next best thing. We annihilated the world before your very ears and utterly destroyed the CBS. You will be relieved, I hope, to learn that we didn't mean it, and that both institutions are still open for business. So goodbye everybody, and remember please for the next day or so the terrible lesson you learned tonight. That grinning, glowing, globular invader of your living room is an inhabitant of the pumpkin patch, and if your doorbell rings and nobody's there, that was no Martian, it's Halloween.
Orson Welles
He [Welles] was an onlooker at the clumsy, poignant suicide of "The Man on the Ledge," which took place in New York in 1938, when a boy perched for fourteen hours on a window-sill of the Gotham Hotel before plunging into the street. "I stood in the crowd outside for a long time," Welles says pensively, "and wanted to make a film of it all. But they tell me that in the Hollywood version of the film they gave the boy a reason for what he did. That's crazy. It's the crowd that needs explaining."
Orson Welles
I am popular with certain people, but I'm still blocked out of the establishment. I hate that incestuous world. It makes me sick. It's impossible for anything truly original to get done. Thinking is not allowed. It's all PC. It is so horrible because it is a fossilized, parasitic version of Sixties philosophy.
Camille Paglia
