Poem Quotes - page 31
Arnold's great project was a blank verse poem based loosely on the Lalitavistara Sutra. It ran for forty-one thousand words and was composed in eight volumes and published in 1879 as the Light of Asia: the Great Renunciation. The Light of Asia was an instant success and would capture the English speaking imagination. It would be reprinted numerous times in England and the United States. The best estimate I could find was sixty editions in England and another eighty in the US. The Light has also been translated into many languages, including Hindi. But, most importantly, it is generally credited as the first book to bring the life and teachings of Gautama Siddhartha broadly to the attention of the English speaking public.
Edwin Arnold
In Science the paramount appeal is to the Intellect - its purpose being instruction; in Art, the paramount appeal is to the Emotions - its purpose being pleasure. A work of Art must of course indirectly appeal to the Intellect, and a work of Science will also indirectly appeal to the Feelings; nevertheless a poem on the stars and a treatise on astronomy have distinct aims and distinct methods. But having recognised the broadly-marked differences, we are called upon to ascertain the underlying resemblances. Logic and Imagination belong equally to both. It is only because men have been attracted by the differences that they have overlooked the not less important affinities.
George Henry Lewes
Poetry - No definition of poetry is adequate unless it be poetry itself. The most accurate analysis by the rarest wisdom is yet insufficient, and the poet will instantly prove it false by setting aside its requisitions. It is indeed all that we do not know. The poet does not need to see how meadows are something else than earth, grass, and water, but how they are thus much. He does not need discover that potato blows are as beautiful as violets, as the farmer thinks, but only how good potato blows are. The poem is drawn out from under the feet of the poet, his whole weight has rested on this ground. It has a logic more severe than the logician's. You might as well think to go in pursuit of the rainbow, and embrace it on the next hill, as to embrace the whole of poetry even in thought.
Henry David Thoreau
In each art the difficulty of the form is a substitution for the difficulty of direct apprehension and expression of the object. The first difficulty may be more or less overcome, but the second is insuperable; thus every poem begins, or ought to, by a disorderly retreat to defensible positions. Or, rather, by a perception of the hopelessness of direct combat, and a resort to the warfare of spells, effigies, and prophecies. The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.
Richard Wilbur
When a poet is being a poet - that is, when he is writing or thinking about writing - he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.
Richard Wilbur
I know thousands of people in politics, but I don't know of anybody who takes greater care in the personal side, or the human side, of relationships as Teddy and Vicki do. When I would go through challenging times in my leadership role, they would reach out to me. In fact, the two of them wrote a wonderful poem that I have in my office, with one of Teddy's pictures that they had had matted and framed and presented to me. And at various other times-the loss of my father-Teddy called a couple of times, but it seems that just about any time anybody goes through a difficult time in their life, one of the first calls they're going to get is from Teddy Kennedy. They've become very special in our lives, as they have in the lives of many others, and I consider them very dear friends today.
Ted Kennedy
...The song does remember the deceased, and it's the song that helps the deceased move on-to ascend, in the words of the poem, to the next life. I wanted to take that and apply it to senses of transition and, hopefully, ascendance within life, moments where one feels one has to move on and move up. I didn't know it would become an ongoing, theoretically endless series-.
Nathaniel Mackey
It may be dismissed, on the one hand, as a commonplace aesthetic satisfaction: and, on the other hand, if we say that the idea of God is merely a poetic idea, even if the supreme poetic idea, and that our notions of heaven and hell are merely poetry not so called, even if poetry that involves us vitally, the feeling of deliverance, of a release, of a perfection touched, of a vocation so that all men may know the truth and that the truth may set them free - if we say these things and if we are able to see the poet who achieved God and placed Him in His seat in heaven in all His glory, the poet himself, still in the ecstasy of the poem that completely accomplished its purpose, would have seemed, whether young or old, whether in rags or ceremonial robe, a man who needed what he had created, uttering the hymns of joy that followed his creation. This may be a gross exaggeration of a very simple matter. But perhaps the same is true of many of the more prodigious things of life and death.
Wallace Stevens
When I left, Merle was wearing a bungalow apron and rolling pie-crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty until her mother came into the space with a broad homely smile on her face to watch me drive away.
I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.
Raymond Chandler
I hope that with our music we can inspire other people to be creative and to use their imagination, because it is something that is so lacking nowadays. You have virtual reality, MTV, video games and VCR's. Nobody really wants to think about things or create things. You have programs on a computer which will write a poem for you.
Marilyn Manson
The first romantics were seers without even really realizing it: their soul's education began by accident: abandoned trains still smoking, occasionally taking to the tracks. Lamartine was a seer now and again, but strangling on old forms. Hugo, too pigheaded, certainly saw in his most recent works: Les Misérables is really a poem. I've got Les Chatiments with me; Stella gives some sense of Hugo's vision. Too much Belmontet and Lamennais with their Jehovahs and colonnades, massive crumbling edifices.
Alphonse de Lamartine
"Why don't you leave?” the woman in the poem asked herself. We need to stop asking that question and begin to understand why she is staying. From understanding comes the ability to reach, to touch and to change. And if we help even just one woman to take that courageous first step out of violence, we have achieved a lot.
Mary
instead of poems about experiences I am getting poems that are experiences, that contribute to my knowledge and my emotional life even while they reflect and assimilate it. In my earlier poems I told you, as precisely and eloquently as I knew how, about something in the more recent poems something is happening, something has happened to me and, if I have been a good parent to the poem, something will happen to you who read it.
Adrienne Rich
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem-just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc. Poets have used such indicators long before modernism-Dickinson's dashes and capitals are one example. Contemporary composers have also expanded on classical notation with new, self-invented markings. You want to find a way that is not random or chaotic but allows for various renderings of a line, a punctuation of the imagination.
Adrienne Rich
May, 1993 - Stratford... have been reading through the poetry of 15th century Spain, and I find myself drawn to one by the mystic writer and visionary St. John of the Cross; the untitled work is an exquisite, richly metaphoric love poem between himself and his god. It could pass as a love poem between any two at any time ... His approach seems more akin to early Islamic or Judaic works in its more direct route to communication to his god... I have gone over three different translations of the poem, and am struck by how much a translation can alter our interpretation. I am reminded that most holy scriptures come to us in translation, resulting in a diversity of views.
Loreena McKennitt
Raised in a working-class, immigrant family, I didn't have access to poetry. I want to write poetry that my mother can read, or poetry that I would have loved as a little boy. I think of myself as a poet of the people. I argue against the idea that if a poem is accessible, it's not complex. Accessible is not synonymous with simple.
Richard Blanco
Gulls into the water, women proudly into the bazaars
I was going to write a poem, I was stifling, fed up with old things
Eat, my mother says, but they're all things I've grown accustomed to, in the end.
Like Camus and - I don't know - people like that, I'm cracking up
Everything will begin when it untangles itself from your hair.
Ataol Behramoğlu
But to poetry - You have to be willing to waste time. When you start a poem, stay with it and suffer through it and just think about nothing, not even the poem. Just be there. It's more of a prayerful state than writing the novels is. A lot of the novel is in doing good works, as it were, not praying. And the prayerful state is just being passive with it, mumbling, being around there, lying on the grass, going swimming, you see. Even getting drunk. Get drunk prayerfully, though.
Robert Penn Warren
