Classical Quotes - page 12
The fact that since my youth – I was 19 when I left Russia - my political creed has remained as bleak and changeless as an old gray rock. It is classical to the point of triteness. Freedom of speech, freedom of thought, freedom of art. The social or economic structure of the ideal state is of little concern to me. My desires are modest. Portraits of the head of the government should not exceed a postage stamp in size. No torture and no executions.
Vladimir Nabokov
What's happening is that each year our old flat earth of conventional reason becomes less and less adequate to handle the experiences we have and this is creating widespread feelings of topsy-turviness. As a result we're getting more and more people in irrational areas of thought-occultism, mysticism, drug changes and the like-because they feel the inadequacy of classical reason to handle what they know are real experiences.
Robert M. Pirsig
We are at the classic-romantic barrier now, where on one side we see a cycle as it appears immediately-and this is an important way of seeing it-and where on the other side we can begin to see it as a mechanic does in terms of underlying form-and this is an important way of seeing things too. These tools for example-this wrench-has a certain romantic beauty to it, but its purpose is always purely classical. It's designed to change the underlying form of the machine.
Robert M. Pirsig
A rush of wind comes furiously now, down from the mountaintop. "The ancient Greeks," I say, "who were the inventors of classical reason, knew better than to use it exclusively to foretell the future. They listened to the wind and predicted the future from that. That sounds insane now. But why should the inventors of reason sound insane?"
Robert M. Pirsig
... Nothing is so simple as the subject matter of his works. The two greatest of his creations, the character of Satan and the character of Eve, are two of the simplest-the latter probably the very simplest-in the whole field of literature. On this side, Milton's art is classical. On the other hand, in no writer is the imagery more profuse, the illustrations more various, the dress altogether more splendid; and in this respect the style of his art seems romantic and modern. In real truth, however, it is only ancient art in a modern disguise: the dress is a mere dress, and can be stripped off when we will.-we all of us do perhaps in memory strip it off for ourselves.
Walter Bagehot
To know the quantum mechanical state of a system implies, in general, only statistical restrictions on the results of measurements. It seems interesting to ask if this statistical element be thought of as arising, as in classical statistical mechanics, because the states in question are averages over better defined states for which individually the results would be quite determined. These hypothetical 'dispersion free' states would be specified not only by the quantum mechanical state vector but also by additional 'hidden variables' - 'hidden' because if states with prescribed values of these variables could actually be prepared, quantum mechanics would be observably inadequate.
John Stewart Bell
Was it an intellectual consequence of this ‘rebirth,' of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
Thomas Mann
Millet was one of those artists on whom a few formal ideas make so deep an impression that they feel compelled to spend the whole of their lives in trying to lever them out. Perhaps this is the chief distinguishing mark of the classical artist; certainly it is what distinguishes his use of subject matter from that of the illustrator. The illustrator is essentially a reporter, his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time. He must give to his subjects an air of complete inevitability, and this becomes a problem of formal completeness. That is why the classic artists, Degas no less than Poussin, return to the same motives again and again, hoping each time to mould the subject closer to the idea.
Kenneth Clark
I've noticed, the wealthy part of my audience is unable to take in classical Romance for more than 40 minutes, one hour for them is maximum. The Art is to be apportioned for them in small doses. Like vitamins which are good for you in tiny portions but could be poisonous when taken in a bulk. Intelligentsia is prepared for such vitamins, while nouve riches are not. They have to begin with homeopathic doses.
Nina Shatskaya
Relativity distorted classical expectations in a way that Clavain still did not find entirely intuitive. Slam two objects towards each other, each with individual velocities just below light-speed, and the classical result for their closing velocity would be the sum of their individual speeds: just under twice the speed of light. Yet the true result, confirmed with numbing precision, was that the objects saw each other approach with a combined speed that was still just below the speed of light. Similarly, the relativistic closing velocity for two objects moving towards each other with individual speeds of one-half of light-speed was not light-speed itself, but eight-tenths of it. It was the way the universe was put together, and yet it was not something the human mind had evolved to accept.
Alastair Reynolds
There is this tremendous amount of arrogance and hubris, where somebody can look at something for five minutes and dismiss it. Whether you talk about gaming or 20th century classical music, you can't do it in five minutes. You can't listen to 'The Rite of Spring' once and understand what Stravinsky was all about.
Penn Jillette
Classical musicians can sometimes get very hung up on the idea that there's a right way and there's a wrong way. You can see this destroy a lot of players. Jazz musicians have a way of understanding that there are a lot of different ways of doing things. That's what's great about them, they're so friendly. And they are so individualistic - that's why they can accept someone like me.
Joanna MacGregor
I want to move away from complexity. I've done my time as far as virtuosity and piles of notes are concerned. It's what puts me off a lot of contemporary classical music - there are so many notes. In fact, I think I'm moving away from classical music altogether. I'm not sure that in 10 years' time I'll be playing it at all.
Joanna MacGregor
