Appearance Quotes - page 20
No artisan can be expected to give his mind to his calling in the midst of a people who are either wretchedly poor, or who, if rich, assume an appearance of poverty, and who regard not the beauty and excellence but the cheapness of an article; a people whose grandeess pay for a work of art considerably under its value and according to their own caprice... For it should not be inferred that the workman is held in esteem, or arrives at a stage of independence. Nothing but sheer necessity or blows from a cudgel keeps him employed; he never can become rich, and he feels it no trifling matter if he have the means of satisfying the cravings of hunger and of covering his body with the coarsest garment. If money be gained it does not in any measure go into his pocket, but only serves to increase the wealth of the merchant.
François Bernier
Our civilization seems to be suffering a second curse of Babel: Just as the human race builds a tower of knowledge that reaches to the heavens, we are stricken by a malady in which we find ourselves attempting to communicate with each other in countless tongues of scientific specialization... The only goal of science appeared to be analytical, i. e., the splitting up of reality into ever smaller units and the isolation of individual causal trains...We may state as characteristic of modern science that this scheme of isolable units acting in one-way causality has proven to be insufficient. Hence the appearance, in all fields of science, of notions like wholeness, holistic, organismic, gestalt, etc., which all signify that, in the last resort, we must think in terms of systems of elements in mutual interaction...
Ludwig von Bertalanffy
True simplicity regards God alone; it has its eye fixed upon Him, and is not drawn toward self; and it is as pleased to say humble as great things. All our uneasy feelings and reflections arise from self-love, whatever appearance of piety they may assume. The lack of simplicity inflicts many wounds. Go where we will, if we remain in ourselves, we shall carry everywhere our sins and our distresses. If we would live in peace, we must lose sight of self, and rest in the infinite and unchangeable God.
Jeanne Marie Bouvier de la Motte Guyon
James Buchanan ... produced several seminal contributions to the literature prior to the appearance of The Calculus, and a continual stream of books and articles afterward. I view Buchanan's Nobel Prize as a reward for this great body of work, and not just limited to The Calculus. Pursuing this line of reasoning, Gordon Tullock's prodigious research output following the publication of The Calculus also justifies a Nobel Prize. Indeed, Tullock's (1967c) seminal analysis of rent seeking, and his subsequent work on this topic might be regarded as sufficient achievements for the awarding of a prize.
Dennis Mueller
The most important characteristic of documentary classification is that it is concerned with subjects, not just entities of taxonomic classification. What is the nature of the specific subjects - the themes on which books, parts of books, articles or parts of articles are written? A study of book titles alone would suggest that literary subjects have simple names like 'War, Religion', 'Boats', 'Musica; pitch', 'Colour', 'Acridines', 'Wild flowers', and so on. But the study of articles on the documentation level reveals that such titles are simple in appearance only. Such a literary subject is in reality a complex aggregate of specific subjects, eahc which is the main theme discussed from one particular aspect.
Brian Campbell Vickery
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
Abbas Kiarostami
The arrangements of society and culture are fighting petrified; they survive in the interruption or containment of practical and visionary strife. The more society and culture are organized to increase the distance between our context-preserving and our context-transforming activities, the more these arrangements take on the appearance of natural facts. They appear to us as givens, as our collective fate. Indeed, that is what, in a sense, they then become.
Roberto Mangabeira Unger
The sculptors of the cathedral porches of the Middle Ages already knew that we can identify many legendary figures by their attributes, not their physical appearance. How is one to recognize Orpheus without his lyre, or Saint Lawrence without his grid? At the same time it seems a bit absurd, In an art that claims to be realistic, to have Orpheus always carrying his lyre, like a German businessman his briefcase. There must have been moments when Orpheus and Saint Lawrence left their lyre or their grid at the checkroom, for instance.. [c. 1960, in France].
Ossip Zadkine
I thought, ‘This is just too terrifying. I've never seen anything like that before.' I hadn't been allowed to watch horror movies before that. I was so traumatized I literally could not sleep for weeks, and it changed my physical appearance; I lost like 10 pounds. My teachers got so concerned they called my mother, ‘Is there something going on – is she being abused at home?' My mother found a picture of Robert Englund the actor, and Robert Englund in the Freddy Krueger make-up, and pasted them up near my bedside table. So, every night when I'd go to sleep, literally for like a year, I'd have to look at it and think, ‘It's just a movie, it's just a movie, it's not real.' I remember thinking that I was going to grow up one day, and be an actress and never make a movie that scares little kids.
Monica Keena
![But a sculpture which sets out to achieve the same ends demands an almost unbelievable effort of concentration. Practically none of the episodes or moments of such a legend, [of Prometheus ] really lends itself to sculpture, and the sculptors of the nineteenth century were often quite careless or foolish in the choice of the moment which they set out to represent. Their works could thus become cluttered with all sorts of narrative details which detract from the monumental quality of the whole... That's why, in my 'Prometheus', I represent the fire as an integral part of the presence or appearance of the hero; he stands there before us in all his awe-inspiring grandeur, a human figure that seemed in the eyes of the men who first saw him to be actually consumed by the fire that he was bearing. (Ossip Zadkine)](https://cdn.quotesdtb.com/img/quotes_images_webp/44/ossip-zadkine-almost-appearance-852844.webp)
The system R forms a well-arranged domain of one dimension extending to infinity on two opposite sides. What is meant by this is sufficiently indicated by my use of expressions borrowed from geometric ideas; but just for this reason it will be necessary to bring out clearly the corresponding purely arithmetic properties in order to avoid even the appearance as if arithmetic were in need of ideas foreign to it.
Richard Dedekind
