Mountain Quotes - page 8
Now we'll start the song of the wild man who lives on the mountain top, who does not want to be seen
let us now start that song without words, without music, come on..
(let's not do anything for at least ten minutes)
That's the spirit, there he comes, the song of the inner voice, the song of the primitive man.
Karel Appel
He Robert Rauschenberg was a kind of enfant terrible at the time [around 1960] and I thought of him as an accomplished professional. He'd already had a number of shows, knew everybody, had been to Black Mountain College in South Carolina, working with all those avant-garde people.... Rauschenberg focused very much on working. I was prepared to do that, too. He was also involved with Merce Cunningham dance group and totally unconcerned with his success, in the cliché term. All of the activity had a lively quality, quite separate from any commercial situation.... [Rauschenberg moved into a loft in Jaser John's building and they very closely worked together for a couple of years]. You get a lot by doing. It's very important for a young artist to see how things are done. The kind of exchange we had was stronger than talking. If you do something then I do something then you do something, it means more than what you say.
Jasper Johns
1948 Black Mountain College N. C. Disciplined by Albers. Learned photography. Worked hard but poorly for Albers. Made contact with music and modern dance. Felt too isolated, Sue [Weil, they married soon, then] and I moved to NYC. Went to Art Students League. Vytlacil & Kantor. Best work made at home. Wht. Painting with no.'s best example. Summer 1950, Outer Island Conn. Married Sue Weil. Christoher (son) Born July 16, 1951 in NYC. First one man show Betty Parsons's.
Robert Rauschenberg
Albers [on Black Mountain College ] was a beautiful teacher and an impossible person. He wasn't easy to talk to, and I found his criticism so excruciating and so devastating that I never asked for it. Years later, though, I'm still learning what he taught me, because what he taught me had to do with the entire visual world. He didn't teach you how to 'do art'. The focus was always on your personal sense of looking... I consider Albers the most important teacher I've ever had, and I'm sure that he considers me one of his poorest students.
Robert Rauschenberg
Everything intellectual and transcendent is joined together in painting by the uninterrupted labour of the eyes. Each shade of a flower, a face, a tree, a fruit, a sea, a mountain, is noted eagerly by the intensity of the senses to which is added, in a way of which we are not conscious, the work of the mind, and in the end the strength or weakness of the soul... It is the strength of soul which forces the mind to constant exercise to widen its conception of space. Something of this is perhaps contained in my pictures.
Max Beckmann
Starting with the Minnesota twin study thirty-five years ago, and now with a mountain of data from twin, sibling, and adoption studies, we know that pretty much anything you can quantify about human personality, behavior, and intelligence is to some degree heritable, average-average at around the fifty percent level but sometimes much higher. We now in fact have a busy and exciting field of study called "behavioral genetics.” Given that all these traits are heritable, it follows from the ordinary laws of biology that different races will exhibit different statistical profiles on them. That's not astonishing, mysterious, or horrible: It's just first-floor-level science.
John Derbyshire
