Contact Quotes - page 13
The point to be made clear is that, whatever may be our temperament, or our power in the presence of nature, we have to render what we actually see, forgetting everything that appeared before our own time. Which, I think, should enable the artist to express his personality to the full, be it large or small. Now that I am an old man, about seventy, the sensations of colour which produce light give rise to abstractions that prevent me from covering my canvas, and from trying to define the outlines of objects when their points of contact are tenuous and delicate; with the result that my image or picture is incomplete. For another thing, the planes become confused, superimposed; hence Neo-Impressionism (initiated by Seurat and Paul Signac, ed., where everything is outlined in black, an error which must be uncompromisingly rejected. And nature, if consulted, shows us how to achieve this aim.
Paul Cézanne
What is beginning to emerge, then, is a theory about psychic sensitivity. It runs as follows. When I relax deeply, it is as if someone opened up the partition between the two compartments of my brain, turning them into a single large room. I experience a sense of mental freedom as if I can suddenly breathe more deeply, and a feeling of contact with things. Everyone has had the experience of being in a state of hurry or excitement, and failing to notice that they have bruised or scratched themselves -- until the excitement evaporates and the pain makes itself known. Hurry and tension raise our sensitivity threshold, and at the same time, erect a glass wall between us and reality. In the "unicameral" state, this wall vanishes, and everything seems more real.
Colin Wilson
The hearer of myth, regardless of his level of culture, when he is listening to a myth, forgets, as it were, his particular situation and is projected into another world, into another universe which is no longer his poor little universe of every day.... The myths are true because they are sacred, because they tell him about sacred beings and events. Consequently, in reciting or listening to a myth, one resumes contact with the sacred and with reality, and in so doing one transcends the profane condition, the "historical situation." In other words one goes beyond the temporal condition and the dull self-sufficiency which is the lot of every human being simply because every human being is "ignorant" - in the sense that he is identifying himself, and Reality, with his own particular situation. And ignorance is, first of all, this false identification of Reality with what each one of us appears to be or to possess.
Mircea Eliade
I have come to believe that you can get along without anyone - that is, without the close contact of any one person. That is a terrible shock to me, but I think it is true. You do need companionship, but wherever you go, in whatever new environment, you will find people who, to a large degree, take the place of those you left...The intimate companionship goes, I think, when you leave a friend, but friendship stays. It is an inherent possibility of relationship that, once admitted - well, there it is.
Anne Morrow Lindbergh
No girl, however coolly her blood may flow, can be pressed to a man's breast, wildly throbbing with love for her, and not experience some agitation in consequence. Whatever may be the state of her sentiments, there is a magnetism in such a contact which she cannot at once throw off. That kiss had brought her relations with Henry to a crisis. It had precipitated the necessity of some decision. She could no longer hold him off, and play with him. By that bold dash he had gained a vantage-ground, a certain masterful attitude which he had never held before. Yet, after all, I am not sure that she was not just a little afraid of him, and, moreover, that she did not like him all the better for it.
Edward Bellamy