Invisible Quotes - page 9
The theories that I (and others) helped develop explained why unfettered markets often not only do not lead to social justice, but do not even produce efficient outcomes. Interestingly, there has been no intellectual challenge to the refutation of Adam Smith's invisible hand: individuals and firms, in the pursuit of their self-interest, are not necessarily, or in general, led as if by an invisible hand, to economic efficiency. The only question that has been raised concerns the ability of government to remedy the deficiencies of the market. Within academia, a significant fraction of economists are involved with developing and expanding on the ideas of imperfect information (and imperfect markets) that I explored. For instance, Edmund Phelps, this year's Nobel Prize winner, belongs to this "school" of thought. But in political discourse, simplistic "market fundamentalism” continues to exert enormous influence.
Joseph Stiglitz
It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters'-and-rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea. The houses are blind as moles (though moles see fine tonight in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows' weeds. And all the people of the lulled and dumbfound town are sleeping now.
Dylan Thomas
Philip Kaufman's Twisted walks like a thriller and talks like a thriller, but it squawks like a turkey.
But back to deus ex machina. This is a phrase you will want to study and master, not merely to amaze friends during long bus journeys but because it so perfectly describes what otherwise might take you thousands of words. Imagine a play on a stage. The hero is in a fix. The dragon is breathing fire, his sword is broken, his leg is broken, his spirit is broken, and the playwright's imagination is broken. Suddenly there is the offstage noise of the grinding of gears, and invisible machinery lowers a god onto the stage, who slays the dragon, heals the hero, and fires the playwright. He is the "god from the machine."
Roger Ebert
Within profound Silence, erect, fearless, in pain and in play, ascending ceaselessly from peak to peak, knowing that the height has no ending, sing this proud and magical incantation as you hang over the Abyss:
I BELIEVE IN ONE GOD, DEFENDER OF THE BORDERS, OF DOUBLE DESCENT, MILITANT, SUFFERING, OF MIGHTY BUT NOT OF OMNIPOTENT POWERS, A WARRIOR AT THE FARTHEST FRONTIERS, COMMANDER-IN-CHIEF OF ALL THE LUMINOUS POWERS, THE VISIBLE AND THE INVISIBLE.
I BELIEVE IN THE INNUMERABLE, THE EPHEMERAL MASKS WHICH GOD HAS ASSUMED THROUGHOUT THE CENTURIES, AND BEHIND HIS CEASELESS FLUX I DISCERN AN INDESTRUCTIBLE UNITY.
Nikos Kazantzakis