Script Quotes - page 33
Ask yourself: "Do I police what people say for political propriety? ... do I scrutinize great literature, music, art, television or comedy for signs of so-called sexism, racism, elitism, homophobia, antisemitism and meanness? Am I incapable of appreciating a superbly written script or book; a sublime painting or symphony; a smart stand-up routine, if only because the material and its creator violate the received laws of political correctness?
Ilana Mercer
Like left-liberals, "lite libertarians"-they're the kind that is afflicted with the same spineless conformity; a deformation of the personality euphemized as political correctness-are incapable of appreciating a script or book; a painting or symphony; a stand-up routine, if only because the material and its creator violates the received laws of political correctness.
Ilana Mercer
A scene that has often come into my mind, both sleeping and waking - I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: "Get off the stage!”, "Let the play go on!”, "You're interrupting!”.
Malcolm Muggeridge
This is not to deny for one moment either the enormous cultural changes undergone by the Greeks despite a surviving sense of common ethnicity or the cultural influence of surrounding peoples and civilizations over two thousand years. At the same time in terms of script and language, certain values, a particular environment and its nostalgia, continuous social interactions, and a sense of religious and cultural difference, even exclusion, a sense of Greek identity and common sentiments of ethnicity can be said to have persisted beneath the many social and political changes of the last two thousand years.
Anthony D. Smith
I've worked with Mankiewicz, Hawks, Kazan, Wyler, Wilder. I've been very fortunate. All of them work differently. I've even directed a couple of pictures, so I have respect for the work. But no matter what anyone says, it's a collaborative art form. I think the problem is that we've been contaminated by the European concept of the Auteur System. I've had movies where I bought the book, developed the script and cast the whole picture, but then the director walks in and says, "It must be a John Smith film." I think sometimes we emphasize that too much.
Kirk Douglas
Every time I do anything, I have to ask myself: Is it a good role, and is it right to do it? There may be sex or nudity or violence in the script, and then you have to say: Is it gratuitous just out to shock people? Or is it there because it has to be? If role demands it, and it isn't gratuitous, I'll do it. It's my job, after all. I'm an actress. I know what I'm capable of - it's other people who have a problem with my image, not me. I hope I can do all sorts of things, not just one type who's all sweetness and light. Unfortunately, people forget it's a role and confuse it with you.
Julie Andrews
![...He had always known the situation was fucked up, but it took me calling him out. I told him: ‘I've been pissed at you. This was terrible and it hurt me and what you did was wrong'...[he did it] because he was afraid, because he was working on a script with these guys. It was bros before hoes. (Rachel Bloom)](https://cdn.quotesdtb.com/img/quotes_images_webp/16/rachel-bloom-calling-hurt-971916.webp)
I had an incredible 10-year run with Marvel which pushed me creatively. I now have tons more ambition to do things I haven't done before. Evolving is key - the worst thing you can do is get in your own way. Just in the matter of me wanting to be a fit father, husband and citizen, it'd be irresponsible of me to not keep my eye ahead so I can prepare my mind for what's to come and the transition. As an actor, every time I get a script now, I think about the commitment and time I'd be away from my missus and kiddos.
Robert Downey Jr.
It may be remarked here in passing that Prof. Thapar also demonstrates her very weak grip on religious issues with her little excursus on the occasional Muslim interpretation (rendered more plausible by the imprecision of the Arabic script in transcribing Indian words) of Somanâtha as "Somanât”, and hence of the temple as a place where the Arabian Goddess Manât was worshipped. In spite of her own position, she actually hits the nail on the head in her rendering of what she describes as Turco-Persian myth-making: "The link with Manat added to the acclaim for Mahmud. Not only was he the prize iconoclast in breaking Hindu idols, but in destroying Manat he had carried out what were said to be the very orders of the Prophet.”.
Koenraad Elst
