Paris Quotes - page 32
He was the outlier of a new type: the first twentieth-century personality to be famous for being famous. If he toured Africa with 17 pieces of matched luggage, or got hit by a car crossing Fifth Avenue in New York, he wrote about it. His life became a forerunner of reality TV; in today's terms, he did everything to seek celebrity but release a sex tape. A great question of Churchill biography, therefore, is how this Paris Hilton of British politics became the second coming of King Arthur.
Mark Riebling
The people of those foreign countries are very, very ignorant. They looked curiously at the costumes we had brought from the wilds of America. They observed that we talked loudly at table sometimes. They noticed that we looked out for expenses and got what we conveniently could out of a franc, and wondered where in the mischief we came from. In Paris they just simply opened their eyes and stared when we spoke to them in French! We never did succeed in making those idiots understand their own language.
Mark Twain
In return for the costliness and inconvenience, the squalor and discomfort of our lives, we get to participate in whatever is the latest. We are never left out of anything: we know what's happening, especially since so many of us practice what Paul Valéry called the "delirious professions." As Valéry wrote, "This is the name I give to all those trades whose main tool is one's opinion of oneself, and whose raw material is the opinion others have of you." Although Valéry was writing eighty years ago of Paris, he anticipated the excruciating position of those gay (and straight) New York "creative people" who must be perpetually original in a "population of uniques." The cruel contradiction of such a position is that the creative "live for nothing but to have, and make durable, the illusion of being the only one - for superiority is only a solitude situated at the present limits of a species."
Edmund White
Positions have been coordinated, except for the United States, which always has a special opinion. In fact, the US delegation was open about it from the outset. Everyone knows the current Administration's stance on the Paris Accords. Nevertheless, all the other participants in the forum confirmed their readiness to implement the agreements under the Paris Accords. Actually, I think there is also a positive moment in the US position too, since the Americans said they were ready to work on the environmental agenda under their own programme. We have to read the final wording but the fact that the Americans say they also want to contribute to solving environmental issues is a positive thing, in my view.
Vladimir Putin
Only the great distance that separates Paris from my native town prevented me from going back... It was the Louvre that put end to all these hesitations. When I walked around the circular Veronese room and the rooms that the works of Manet, Delacroix and Courbet are in, I desired nothing more. In my imagination Russia [where Chagall was born] took the form of a basket suspended from a parachute. The deflated pear of the balloon was hanging down, growing cold and descending slowly in the course of the years. This was how Russian art appeared to me, or something of the sort... It was as if Russian art had been fatally condemned to remain in the wake of the West.
Marc Chagall
Americans may laud Charlie Hebdo for being brave enough to publish cartoons ridiculing the Prophet Muhammad, but, if Ayaan Hirsi Ali is invited to campus, there are often calls to deny her a podium. So this might be a teachable moment. As we are mortified by the slaughter of those writers and editors in Paris, it's a good time to come up with a less hypocritical approach to our own controversial figures, provocateurs and satirists. The first thing to say, I suppose, is that whatever you might have put on your Facebook page yesterday, it is inaccurate for most of us to claim, Je Suis Charlie Hebdo, or I Am Charlie Hebdo. Most of us don't actually engage in the sort of deliberately offensive humor that that newspaper specializes in.
David Brooks
Greek Phanariot merchants and traders dominated the commerce of the Ottoman empire, utilizing their kinship networks and social and religious institutions to maximize not only their business and assets, but also their cultural capital. Diaspora Greeks became especially prominent from the eighteenth century in the development of printing and the press, and experienced a major intellectual revival in cities as far afield as Vienna, Venice, Odessa, Paris, and Amsterdam.
Anthony D. Smith
My dear Theo.. ..Yesterday I saw the Corot exhibition. It included a painting of the 'Mount of Olives'; I'm glad he painted that. On the right, a group of olive trees, dark against the darkening blue sky; in the background hills covered with shrubs and a couple of tall trees, above them the evening star. There are 3 Corot's at the Salon [in Paris], very beautiful, the most beautiful one, painted shortly before his death, 'Women cutting wood', will probably appear as a woodcut in 'L'Illustration or Le Monde Illustré'.
Jean-Baptiste-Camille Corot
