Drawing Quotes - page 29
The generally expressed desire of 'America first' can not be criticized. It is a perfectly correct aspiration for our people to cherish. But the problem which we have to solve is how to make America first. It can not be done by the cultivation of national bigotry, arrogance, or selfishness. Hatreds, jealousies, and suspicions will not be productive of any benefits in this direction. Here again we must apply the rule of toleration. Because there are other peoples whose ways are not our ways, and whose thoughts are not our thoughts, we are not warranted in drawing the conclusion that they are adding nothing to the sum of civilization. We can make little contribution to the welfare of humanity on the theory that we are a superior people and all others are an inferior people.
Calvin Coolidge
God Himself - His thoughts, His will, His love, His judgments are men's home. To think His thoughts, to choose His will, to judge His judgments, and thus to know that He is in us, with us, is to be at home. And to pass through the valley of the shadow of death is the way home, but only thus, that as all changes have hitherto led us nearer to this home, the knowledge of God, so this greatest of all outward changes - for it is but an outward change - will surely usher us into a region where there will be fresh possibilities of drawing nigh in heart, soul, and mind to the Father of us all.
George MacDonald
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust."
Kenneth Clark
[I] launched a new offensive against the fortress of painting. First, white thinned out in linseed oil as a general base. Second, color the entire surface lightly by applying very large areas of different colors that swim into one other and that must remain free of any effect of chiaroscuro. Third, a drawing, independent of and substituting for the unformulated tonal values. Then, at the end, some bass notes to ward off flabbiness, not too dark, but colored bass notes. This is the style that connects drawing and the realm of color, a saving transfer of my fundamental graphic talent into the domain of painting.
Paul Klee
Things are not quite so simple with 'pure' art as it is dogmatically claimed. In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better. In this sense I shall never be a pure artist as the dogma defines him. We higher creatures are also mechanically produced children of God, and yet intellect and soul operate within us in completely different dimensions.
Paul Klee
Summer fog. It leached all color and substance from the world, leaving only grays. Lead gray tombstone gray cobweb gray ash gray snot gray dust gray corpse gray. It was unheard-of that there be fog at this time of the year, late August. So it had to be another portent - as dire a one as the death of the One-Handed Warrior. There were many who said that the fog had its origin in the supercooled ashes of the hero: each molecule of his scattered body accreting water vapor, each tiny relic drawing to itself the air's own tears to fashion this wide-spreading shroud over the Many-Colored Land.
Julian May
