Hearing Quotes - page 9
In general they are intoxicated by the fame of mass culture, a fame which the latter knows how to manipulate; they could just as well get together in clubs for worshipping film stars or for collecting autographs. What is important to them is the sense of belonging as such, identification, without paying particular attention to its content. As girls, they have trained themselves to faint upon hearing the voice of a 'crooner'. Their applause, cued in by a light-signal, is transmitted directly on the popular radio programmes they are permitted to attend. They call themselves 'jitter-bugs', bugs which carry out reflex movements, performers of their own ecstasy. Merely to be carried away by anything at all, to have something of their own, compensates for their impoverished and barren existence. The gesture of adolescence, which raves for this or that on one day with the ever-present possibility of damning it as idiocy on the next, is now socialized.
Theodor Adorno
By the painful light of the factory's huge electric lamps
I write in a fever.
I write gnashing my teeth, rabid for the beauty of all this,
For this beauty completely unknown to the ancients.O wheels, O gears, eternal r-r-r-r-r-r-r!
Bridled convulsiveness of raging mechanisms!
Raging in me and outside me,
Through all my dissected nerves,
Through all the papillae of everything I feel with!
My lips are parched, O great modern noises,
From hearing you at too close a range,
And my head burns with the desire to proclaim you
In an explosive song telling my every sensation,
An explosiveness contemporaneous with you, O machines!
Fernando Pessoa
Critics frequently cry 'Dada' after attending one of my concerts or hearing one of my lectures. Others bemoan my interest in w:Zen. One of the liveliest lectures I ever heard was given by Nancy Wilson Ross at the Cornish School in Seattle. It was called Zen Buddhism and Dada. It is possible to make a connection between the two, but neither Dada nor Zen is a fixed tangible. They change; and in quite different ways in different places and times, they invigorate action. What was Dada in the 1920's is now, with the exception of the work of Marcel Duchamp, just art. What I do, I do not wish blamed on Zen, though without my engagement with Zen... I doubt whether I would have done what I have done... I often point out that Dada nowadays has in it a space, an emptiness, that it formerly lacked. What nowadays, America mid-twentieth century, is Zen?
John Cage