Hearing Quotes - page 12
What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work... Listen to that, that's at home. Janet, Randy, Me... Janet and I are going "Whoo, Whoo... Whoo, Whoo..." I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work.
Michael Jackson
It was this,: the future hanging heavy in the air, and Henry starting a quiet, drunk conversation about whether or not Blue would like to travel to Venezuela with him. Blue replying softly that she would, she very much would, and Gansey hearing the longing in her voice like he was being undone, like his own feelings were unbearably mirrored. I cant come? Gansey asked. Yes, you can meet us there in a fancy plane, Henry said. Don't be fooled by his fancy hair, Blue interjected, Gansey would hike. And warmth filled the empty caverns in Gansey's heart. He felt known.
Maggie Stiefvater