Chinese Quotes - page 27
Whatever the price of the Chinese Revolution, it has obviously succeeded not only in producing more efficient and dedicated administration, but also in fostering high morale and community of purpose. The social experiment in China under Chairman Mao's leadership is one of the most important and successful in human history.
David Rockefeller
There are two tyrants in human life who domineer in all nations, in Indians and Negroes, in Tartars and Arabs, in Hindoos and Chinese, in Greeks and Romans, in Britons and Gauls, as well as in our simple, youthful, and beloved United States of America. These two tyrants are fashion and party.
John Adams
Free-market economics and tolerance for Chinese violations of trade and commercial protocols did not result in either the liberalization or the democratization of China. Over the past two decades, we have been told that the Japanese, the European Union, and the Chinese successively would eclipse America with their respective superior paradigms.
Victor Davis Hanson
[A] Juan Lopez from Oaxaca is freely accepted as a U.S. citizen in a way that a white Bob Jones would never fully be embraced as a citizen of Mexico, a country whose constitution still expressly sets out racially chauvinistic guidelines that govern immigration law. Someone who appears African or European would have a hard time fully integrating as a citizen in Chinese, Korean, or Japanese society, in a way not true of Chinese, Koreans, and Japanese in America. The world assumes that in America a president, attorney general, secretary of state, or Supreme Court justice can be black; but it would be as surprised to find whites as high public officials in Zimbabwe as to find a black as prime minister or foreign minister in Sweden...
Victor Davis Hanson
Ernest Bramah's China, then, is the fantastic bogus China of convention, not the real historical thing at all. He wrote of it in a prose so perfectly conceived that it becomes a miracle of style. As Hilaire Belloc once observed, the sly humor and philosophy of Bramah's stories is a trick he achieves by pretending to adapt the flavor of Chinese literary conventions into the English. But the thing I love most about the tales is their irony and the brilliance of their wit.
Ernest Bramah
Bramah's books fall into two very unequal categories. Some, fortunately the smaller part, record the adventures of the blind detective, Max Carrados. These are competent, mediocre books. The rest are parodic in nature: they pass themselves off as translations from the Chinese, and their boundless perfection achieved the unconditional praise of Hilaire Belloc in 1922. Their names: The Wallet of Kai Lung (1900), Kai Lung's Golden Hours (1922), Kai Lung Unrolls His Mat (1928), The Mirror of Kong Ho (1931), The Moon of Much Gladness (1936).
Ernest Bramah
The scholars of European Enlightenment who were influenced by Hindu, Chinese, Greek and Roman traditions of spirituality and culture, have judged Jehovah quite correctly and identified him as the main source of darkness which prevailed in Europe during the Middle Ages. But they have so far neglected Allah of the Quran and not weighed him in the same balance of rationalism, humanism and universalism on which Jehovah was weighed and found wanting.
Sita Ram Goel
The term "ideographic" has been used not only by those who espouse its basic meaning but also by others who do not necessarily accept the concept but use the term out of mere force of habit as an established popular designation for Chinese characters. I find, to my chagrin, that in my previous publications I have been guilty of precisely this concession to popular usage without being aware of the damage it can cause. As a repentant sinner I pledge to swear off this hallucinogen. I hope others will join in consigning the term to the Museum of Mythological Memorabilia along with unicorn horns and phoenix feathers.
John DeFrancis
The concept of ideographic writing is a most seductive notion. There is great appeal in the concept of written symbols conveying their message directly to our minds, thus bypassing the restrictive intermediary of speech. And it seems so plausible. Surely ideas immediately pop into our minds when we see a road sign, a death's head label on a bottle of medicine, a number on a clock. Aren't Chinese characters a sophisticated system of symbols that similarly convey meaning without regard to sound? Aren't they an ideographic system of writing? The answer to these questions is no. Chinese characters are a phonetic, not an ideographic, system of writing... Here I would go further: There never has been, and never can be, such a thing as an ideographic system of writing.
John DeFrancis
