Familiar Quotes - page 35
The Swiss-born psychiatrist Elisabeth Kubler-Ross changed western cultural resistance to dealing with death, and the teaching of how to accept it... Kubler-Ross's best known contribution to the study, thanatology, that she had helped to create, was the five stages of dying people go through. She described them - denial, anger, bargaining, depression and acceptance - in her bestseller On Death And Dying (1969), written in two months. Not everyone experiences all five, she cautioned, but at least two are always present. The definition, reached after scores of interviews with people facing imminent death, helped the medical profession to deal with a factor it had long refused to acknowledge, especially in the US... She wrote more than 20 books.. A firm believer in a god and the life hereafter, she became fascinated with near-death experiences and an advocate for people's stories of seeing a shining light and familiar faces, before being brought back from the brink.
Elisabeth Kübler-Ross
Well, if I were thus rationed in this article and could have but one adjective for George Gershwin, that adjective would be "ingenuous." Ingenuous at and about his piano. Once an occasional composer named Oscar Levant stood beside that piano while those sure, sinewy, catlike Gershwin fingers beat their brilliant drum-fire-the tumultuous cascade of the "Rhapsody In Blue," the amorous languor of "The Man I Love," the impish glee of "Fascinating Rhythm," the fine, jaunty, dust-spurning scorn of "Strike Up the Band." If the performer was familiar with the work of any other composer, he gave no evidence of it. Levant (who, by the way, makes a fleeting appearance in the new Dashlell Hammett book, under the guise of Levi Oscant) could be heard mutterIng under his breath, "An evening with Gershwin Is a Gershwln evening." "I wonder," said our young composer dreamily, "if my music will be played a hundred years from now." "It certainly will be," said the bitter Levant,"if you are still around."
George Gershwin