Theatre Quotes - page 35
What is reality? What is space? And what is time? These are the three questions that we want to investigate taking into account the knowledge that we have gained by modern physics. Our intuitive prescientific conception of the world in relation with these three concepts is not very precise but could be summarised as follows.
- Reality is everything that exists now in the present. The past has been real but is not anymore and the future is what shall become real but is not yet.
- Space is the theatre where reality is in. It englobes all of reality.
Till the birth of relativity theory all physical theories where compatible with this intuitive scheme. But when relativity theory entered the scene, these intuitive conceptions of space and time, and what is less recognised even till today, also the conception of reality, has got into problems.
Diederik Aerts
In early youth, as we contemplate our coming life, we are like children in a theatre before the curtain is raised, sitting there in high spirits and eagerly waiting for the play to begin. It is a blessing that we do not know what is really going to happen. Could we foresee it, there are times when children might seem like innocent prisoners, condemned, not to death, but to life, and as yet all unconscious of what their sentence means.
Arthur Schopenhauer
In truth the Theatre of the Oppressed has no end, because everything which happens in it must extend into life....The Theatre of the Oppressed is located precisely on the frontier between fiction and reality – and this border must be crossed. If the show starts in fiction, its objective is to become integrated into reality, into life.
Augusto Boal
When does a session of The Theatre of the Oppressed end? Never - since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists.
Augusto Boal
As poets we do not ask permission before we begin to practise, for there is no authority to license us. We do not inquire whether it is still possible to pen a drama, for the answer to that question is ours alone to give. It is our drama, spoken or sung, that asserts our right to the title of poet. It is our decision that counts, and not the opinion of some theatre management, or the ponderings of the critic, or even the advice of our friendliest mentors.
James Fenton
Theatre supposes lives that are poor and agitated, a people searching in dreams for a refuge from thought. If we were happier and freer we should not feel hungry for theatre. A people that is happy and free has need of festivities more than of theatres; it will always see in itself the finest spectacle.
Romain Rolland
