Camera Quotes - page 12
I truly felt, ultimate objective aside, that the Marines had something beautiful about them. Fraternity, initiation, mentoring, honor, valor, duty-beautiful male attributes in a society in which masculinity is maligned. I can get a bit like that, a bit D. H. Lawrence, a bit jazzed on unexamined humanity. When I chatted on camera to a pair of perfectly assembled teen Marines who sat handsomely in their fatigues, rifles pristine and bolt upright at their sides, I was overwhelmed by the salvation that the military offers to boys that may otherwise have fallen through the cracks.
Russell Brand
Unchecked, the tourist will climb over the fence and come right into your house to take pictures of you in your habitat. Cities mindful of tourists have built elaborate "tourist traps” which, luckily, work. Tourists are kept confined to these, and few escape. There is, of course, the type known as the "intrepid tourist.” This one has to be watched carefully or he can become most annoying. Little wonder these are so often the target of terrorists. If there is an aspect of benign terror about the tourist, there is also a great deal of tourist in the terrorist. Terrorists travel with only one thing in mind, just like the tourist, and the specifics of places escape them both. Terrorists travel for the purpose of shooting unsuspecting foreigners, just as tourists travel for the purpose of shooting them with a camera.
Andrei Codrescu
There's a lot of dealings with police officers right now. I don't think all cops are bad. You know, I think there's some great cops out there, who do everything in their power to uphold the badge and uphold the honor and protect the people in society. But there are bad cops, and I think that also needs to be addressed. I think the police officers we have right now, you know, some of it is being brought to light, because of video cameras, everybody has a camera phone. But these are things a lot of us have dealt with our whole lives. And I think right now is a perfect time to deal with it. The climate we're in, everybody's being more accepting, you know, so I think the ignorance should stop. I think people realize that, at the end of the day, we're all human beings. So, you know, before we're black, white, Asian, Polynesian, Latino. We're humans. So, it's up to us to stop it.
Richard Sherman (American football)
Animation in itself is an art form, and that's the point I think always needs clarification. True animation exists without any background, or any color, or any sound, or anything else; it exists in your hand. And you can take it and flip it. [...] What makes animation is the fact that you have a series of drawings that move. You don't even have to have a camera, you see; animation exists without it. If you want to broaden your audience, or make it more colorful or add music, then you put it under a camera one frame at a time, and then you run it at the same speed as you flip it, and then you have animation. If it depends basically upon soundtrack, or basically upon music, or color, graphic design, or anything else to sustain itself, then it is not unique to animation.
Chuck Jones
At the base of the plane, Styles freelance photographer is down on one knee, going handheld, still in the same Hawaiian shirt. The famously reclusive R. Vaughn Corliss is nowhere in view. Doug Llewellyn's wardrobe furnished by Hugo Boss. The Malina blanket for the artist's lap and thighs, however, is the last minute fix of a production oversight, retrieved from the car of an apprentice gaffer whose child is still nursing, and is not what anyone would call an appropriate color or design, and appears unbilled. There's also some eleventh hour complication involving the ground level camera and the problem of keeping the commode's special monitor out of its upward shot, since video capture of a camera's own monitor causes what is known in the industry as feedback glare - the artist in such a case would see, not his own emergent Victory, but a searing and amorphous light.
David Foster Wallace
Bob Hope will go to the opening of a phone booth in a gas station in Anaheim, providing they have a camera there and three people. He'll go to the opening of a market to receive an award. He'd get an award from Thom McCan for wearing their shoes. It's pathetic. It's a bottomless pit. A barrel that has no floor. He must be a man who has an ever-crumbling estimation of himself. He's constantly filling himself up. He's like a junkie – an applause junkie. What happens to those people when they can't get up and do their shtick, God only knows. Bob Hope, Christ, instead of growing old gracefully or doing something with his money, be helpful, all he does is he has an anniversary with the President looking on. It's sad. He gets on an airplane every two minutes always going someplace. It didn't bother him at all to work the Vietnam War. Oh, he took that in his stride. He did his World War II and Korean War act. "Our boys" and all that. He's a pathetic guy.
Marlon Brando
Annette's communiqué is anodyne; a giggling confession off camera (shower-curtain rain in the background) that the famous Manfred Macx is in Paris for a weekend of clubbing, drugging, and general hell-raising. Oh, and he's promised to invent three new paradigm shifts before breakfast every day, starting with a way to bring about the creation of Really Existing Communism by building a state central planning apparatus that interfaces perfectly with external market systems and somehow manages to algorithmically outperform the Monte Carlo free-for-all of market economics, solving the calculation problem. Just because he can, because hacking economics is fun, and he wants to hear the screams from the Chicago School.
Charles Stross
Looking through some photographs I found inside a drawer,
I was taken by a photograph of you.
There were one or two I know
That you would have liked a little more,
But they didn't show your spirit quite as true.
You were turning round to see who was behind you
And I took your childish laughter by surprise,
And at the moment that my camera happened to find you
There was just a trace of sorrow in your eyes.
Jackson Browne
I'm often asked by students how a photographer gets over the fear and uneasiness in many people about facing a camera, and I just say that any sensitive man is bothered by a thing like that unless the motive is so strong and the belief in what he's doing is so strong that it doesn't matter. The important thing is to do the picture. And I advise people who are bothered by this to cure it by saying to themselves, what I'm doing is harmless to these people really, and there's no malevolence in it and there's no deception in it, and it is done in a great tradition, examples of which are Daumier and Goya. Daumier's Third Class Carriage is a kind of snapshot of some actual people sitting in a railway carriage in France in eighteen-something.
Walker Evans
Nick: I've also found someone to take an option on the photographs.
Mrs Prentice: What photographs?
Nick: I had a camera concealed in the room.
Mrs Prentice: When I gave myself to you the contract didn't include cinematic rights.
Nick: I'd like a hundred quid for the negatives. You've got until lunchtime.
Mrs Prentice: I shall complain to the manager.
Nick: It will do you no good. He took the photographs.
Mrs. Prentice: Oh, this is scandalous! I'm a married woman.
Nick: You didn't behave like a married woman last night.
Joe Orton
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
Lewis Carroll
Nobody associated with Sahodarakal is really willing to disclose what camera wizardry it was that finally transformed Kamalahasan into a fascinating midget. Some of the dwarf scenes were shot in a circus playing in Cochin by digging a pit with the actor standing knee-deep in it. The shoes were fixed to his knee and the pit was covered with a carpet.
Kamal Haasan
I was always a reluctant actor! I continue to be that. I announce a project, the camera rolls and I'm happy. I'm fortunate to be doing leading parts even now. Except for my mentor K. Balachander, for whom I can do even a walk-on part. When he directed his 100th film, I just walked in to do a small role. I just clowned around on camera.
Kamal Haasan
