Boring Quotes - page 38
But even if all the other stuff seems a bit esoteric, just think of all those other avatars at all those other gatherings, concerts, dances, ceremonies, parties and meals; think of all that talk, all those ideas, all that sparkle and wit!”
"Think of all that bullshit, the nonsense and non-sequiturs, the self-aggrandisement and self-deception, the boring stupid nonsense, the pathetic attempts to impress or ingratiate, the slow-wittedness, the incomprehension and the incomprehensible, the gland-addled meanderings and general suffocating dullness.
Iain Banks
if you assume any rate of improvement at all, then games will be indistinguishable from reality
we could be in base reality
this is just about probability
there are many, many simulations
you might as well call them reality, or multiverse
they're running on the substrate ... that substrate is probably boring.
Elon Musk
Instead of engaging in this rather boring academic exercise of opposing Spinoza and Levinas, what I want to accomplish is a consciously old-fashioned Hegelian reading of Spinoza - what both Spinozeans and Levinasians share is radical anti-Hegelianism. My starting hypothesis is that, in the history of modern thought, the triad of paganism-Judaism-Christianity repeats itself twice, first as Spinoza-Kant-Hegel, then as Deleuze-Derrida-Lacan. Deleuze deploys the One-Substance as the indifferent medium of multitude; Derrida inverts it into the radical Otherness which differs from itself; finally, in a kind of "negation of negation," Lacan brings back the cut, the gap, into the One itself. The point is not so much to play Spinoza and Kant against each other, thus securing the triumph of Hegel; it is rather to present the three philosophical positions in all their unheard-of radicality - in a way, the triad Spinoza-Kant-Hegel does encompass the whole of philosophy.
Baruch Spinoza
The first half of your life is spent getting over yourself. You think you're amazing, unique. Young people walk around going, "You know the funny thing is I was just in the kitchen but now I'm here in the bedroom, get a load of me! I just go on and on!" And that's around the age when you meet somebody else – when you're totally unbearable. Two young, fit, healthy attractive people in love? There's nothing worse to look at in the world! Going around going, "I can't believe I met you cause you're amazing and I'm amazing and we're surrounded by shitheads, it's just amazing! Hey, I know this really good bar, let's go and make it better." In the second half of your life you realise how like every other hump who drew breath you really are. Except you're MORE boring.
Dylan Moran
You know what you think, you know where you are on the spectrum... You're Left or you're Right really, that's it. And if you're left-wing, you're boring. That's the truth. Nobody wants to hang around with you, you're very dull. You're the voice of conscience, y'know the one saying: "Now look. Put it down, we should all be nice to one another. Let's try and not eat everything today.” Very dull voice... The right-wing... Cruel? Yes. Vicious? Certainly. But honest. Not a sophisticated philosophy, it just says: "What is this? Do we fuck it or eat it? Let's try half and half.”... Now you might be liberal! You could be, I forgot. You could be one of those thoughtful, troublesome people. People who say: "Well things are actually a little bit like this AND a little bit like that. Soooo, let's do whatever you say.” If you're liberal, you have no purpose. You are the thing in your kitchen you never use. Something you bought once, while you were out at a market feeling frisky.
Dylan Moran
She is brave, beautiful, loyal, kind and generous. She is never boring and is as lovely looking in a GI shirt, pants and combat boots as she is at night or on the screen. She has an honesty and a comic and tragic sense of life that never let her be truly happy unless she loves. When she loves she can joke about it; but it is gallows humor.
Marlene Dietrich
In The Night Watch, again in Amsterdam, we have the feeling of communication: that something dramatic is happening before our very eyes. This scene of a company of guards painted as a group portrait was very popular in Rembrandt's day. The only other Dutch painter who could do anything at all with the subject was Frans Hals, who did it several times and rather well. But the conventions prevailing at the time were for such a group portrait to consist of an inert line of figures which was boring in the extreme. Rembrandt, tackling this subject, sees it as a dramatic event but also as an entirely realistic everyday occurrence... It was probably the most ambitious painting in size and scope that Rembrandt had painted up to that time, but it began his downfall among his contemporaries and from then his popularity waned. As his painting got better and better, he got poorer and poorer - so much for the Dutch public of his day and their taste in art! p. 404.
Rembrandt
