Cover Quotes - page 33
The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope the people will forget. The engineer simply cannot deny he did it. If his works do not work, he is damned.
Herbert Hoover
You can't cover the Middle East - you can't cover American politics - you can't cover America these days without finding people in one place or another taking exception to what we do. I think it goes with the territory. Keeps me, at least I hope, mindful, always that there's at least one other opinion and sometimes a dozen other opinions. And they all bear accounting for.
Peter Jennings
After costs, only the top 3% of managers produce a return that indicates they have sufficient skill to just cover their costs, which means that going forward, and despite extraordinary past returns, even the top performers are expected to be only as good as a low-cost passive index fund. The other 97% can be expected to do worse.
Eugene Fama
In twenty to thirty thousand years memories become legends and legends become superstitions and even the superstitions become lost. Metals rust and corrode back into earth while the wind, the rain and the jungle erode and cover stone. The contours of the very continents change-and glaciers come and go, and a city of twenty thousand years before is under miles of earth or miles of water.
Fredric Brown
When I was young, it was not thought proper for young ladies to study very conspicuously; and especially with pen in hand. Young ladies (at least in provincial towns) were expected to sit down in the parlour to sew,-during which reading aloud was permitted,-or to practice their music; but so as to be fit to receive callers, without any signs of blue‐stockingism which could be reported abroad. Jane Austen herself, the Queen of novelists, the immortal creator of Anne Elliott, Mr. Knightly, and a score or two more of unrivalled intimate friends of the whole public, was compelled by the feelings of her family to cover up her manuscripts with a large piece of muslin work, kept on the table for the purpose, whenever any genteel people came in. So it was with other young ladies, for some time after Jane Austen was in her grave; and thus my first studies in philosophy were carried on with great care and reserve.
Jane Austen
Be in high-growth markets." In the old economic order, in the age of market share, volume growth was a guarantor of success. Growth was what we were taught to pursue. It created higher profits for all, including market share laggards, companies with poor business designs, and companies that were poorly managed. A rising tide raised all boats. One manager articulated the classic view: "There are no management problems that volume growth can't solve. Even if we manage poorly, rising revenue helps cover the mistakes we made.
Adrian Slywotzky
What was crucial to the partnership, it should be noted, is that Flavor Flav was a clown - in the tradition of the best black comics - yet he was a clown with consciousness, empowered with knowledge of self, an entirely different persona from the "Stepin Fetchit" and "Sambo" stereotypes of subservient and uncouth black Americans. Flavor Flav was and is a fool, but a fool on a mission. On the cover of Nation of Millions, he wears a gigantic clock as a medallion - a preposterous getup - yet it is designed to illustrate, through a comic medium, that time is indeed running out.
Flavor Flav
The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, and anguished or mocking smoke screen which keeps the other in its true place. When true silence falls we are left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness.
Harold Pinter
