Author Quotes - page 38
The major strength of Wolf's book - his concentration on interaction, intermingling and mutual modification - is at the same time its major weakness, since it tends to take for granted the nature of the dynamism which has brought the world from pre-history to the late twentieth century. This is a book about connections rather than causes. Or rather, the author has re-thought the problems of the genesis and development of capitalism less fundamentally than those of the interconnections essential to it.
Eric Hobsbawm
Certain critics from the democratic camp, inclined to operate with the help of indirect evidence, have looked upon the "ironic” attitude of the author to the compromise leaders as the expression of an undue subjectivism vitiating the scientific character of his exposition. We venture to regard this criterion as unconvincing. Spinoza's principle, "not to weep or laugh, but to understand” gives warning against inappropriate laughter and untimely tears. It does not deprive a man, even though he be a historian, of the right to his share of tears and laughter when justified by a correct understanding of the material itself.
Baruch Spinoza
The beginning is from God: for the business which is in hand, having the character of good so strongly impressed upon it, appears manifestly to proceed from God, who is the author of good, and the Father of Lights. Now in divine operations even the smallest beginnings lead of a certainty to their end. And as it was said of spiritual things, "The kingdom of God cometh not with observation," so is it in all the greater works of Divine Providence; everything glides on smoothly and noiselessly, and the work is fairly going on "before men are aware that it has begun. Nor should the prophecy of Daniel be forgotten, touching the last ages of the world: -"Many shall go to and fro, and knowledge shall be increased;" clearly intimating that the thorough passage of the world (which now by so many distant voyages seems to be accomplished, or in course of accomplishment), and the advancement of the sciences, are destined by fate, that is, by Divine Providence, to meet in the same age.
Francis Bacon
There are many words and phrases that should be forever kept out of the hands of book reviewers. It's sad, but true. And one of these is "self-indulgent." And this is one of those things that strikes me very odd, like reviewers accusing an author of writing in a way that seems "artificial" or "self-conscious." It is, of course, a necessary prerequisite of fiction that one employ the artifice of language and that one exist in an intensely self-conscious state. Same with "self-indulgent." What could possibly be more self-indulgent than the act of writing fantastic fiction? The author is indulging her- or himself in the expression of the fantasy, and, likewise, the readers are indulging themselves in the luxury of someone else's fantasy. I've never written a story that wasn't self-indulgent. Neither has any other fantasy or sf author. We indulge our interests, our obsessions, and assume that someone out there will feel as passionately about X as we do.
Caitlín R. Kiernan
I never read an author twice if I can't trust him or her to make it come out right. I never read an author twice if he writes the kind of books where everyone and everything is in tension from page one to the last paragraph of the last page, like that dreadful TV show, 24. Tension is something I have plenty of in life. I don't need it elsewhere.
Sheri S. Tepper
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
Sarah Bernhardt
![I knew many homosexuals but I certainly didn't think of Batman in those terms. I thought of it in terms of ... Frank Merriwell and Dick Merriwell, his half-brother, who was the kid he was taking care of. ... In America we always talk about the Western hero and the pioneer kind of man-the Davy Crockett types-as being loners. They're never really. They always have a sidekick. ... Certainly there's no homosexual relationship. It's just part of the American syndrome. ... It was just that the author realized that you've gotta have somebody to talk to. Sherlock Holmes had Watson-were they homosexuals? Baloney. You just can't have your hero walking around thinking aloud all the time. He'd be ready for the men in white coats after a time. So we created a junior Watson and that's all [Robin] was. (Bill Finger)](https://cdn.quotesdtb.com/img/quotes_images_webp/73/bill-finger-american-author-1006073.webp)
The most sacred duty is filial piety. "God showers his blessings on him who honors and reveres the author of his days,” says Pampelus (De Parentibus, Orelli, op. Cit., ii, 345). Ingratitude towards one's parents is the blackest of all crimes, writes Perictione ( ibid.,p. 350), who is supposed to have been the mother of Plato.
Annie Besant
Great virtues may draw attention from defects, they cannot sanctify them. A pebble surrounded by diamonds remains a common stone, and a diamond surrounded by pebbles is still a gem. No one should attempt to refute an argument by pronouncing the name of some man, unless he is willing to adopt all the ideas and beliefs of that man. It is better to give reasons and facts than names. An argument should not depend for its force upon the name of its author. Facts need no pedigree, logic has no heraldry, and the living should not awed by the mistakes of the dead.
Robert G. Ingersoll
Any writer, reading over the typescript of a book for the last time before sending it off to the publisher, must wonder what all the effort was for. An autobiography is specially in need of justification to its author. It is a work of self-justification which itself needs justifying. Why have I written this book? Why have I written it the way I have? What does it mean to me? What do I hope it will mean to others?
Each human being has at the final core of self a crystal from which the whole manifold of the personality develops, a secret molecular lattice which governs the unfolding of all the structures of the individuality, in time, in space, in memory, in action and contemplation. Asleep there were just these dreams and no others. Awake there were these actions only. Only these deeds came into being.
Kenneth Rexroth
...We Chicana/o authors are naturally drawn to concentrate on the challenges and issues that confront our society, which in turn are different from those that our Latin American colleagues face. I really think that we, on this side of the border, tend to be more direct and frank; perhaps some of us might be considered more audacious and blunt. And I believe this comes to us as a result of being brought up in the U.S., where we're taught to be outspoken. Where a Latin American author circumvents or evades, a Chicana/o aims straight at the heart of the issue without mincing words.
Graciela Limón
You appear to have seen Holcrofts pamphlet; which certainly displays much ability and goodwriting, but most of all the extreme vanity and self-importance of the author, which is equally ridiculous and disgusting. He thinks it impossible that any court or jury in the world could have resisted the force of his combined eloquence and philosophy; and actually told me that hewould gladly have given one of his hands for the opportunity of making his defence, which by the way would certainly have hanged him, however favourable his judges might have been beforehand.
Joseph Ritson
This is believed to be the completest list of this voluminous, prosiack, and driveling monk, that can be formed...in truth, and fact, these stupid and fatigueing productions, which by no means deserve the name of poetry, and their stil more stupid and disgusting author, who disgraces the name and patronage of his master Chaucer, are neither worth collecting (unless it be as typographical curiositys, or on account of the beautyful illuminations in some of his presentation copys), not even worthy of preservation: being only suitablely adapted "ad ficum & piperem," and other more bare and servile uses. How little he profited by the correction, or instructions of his great patron is manifest in almost every part of his elaborate drawlings, in which there are scarcely three lines together of pure and acurate metre.
Joseph Ritson
Pinkerton seems busy in his intended history of Scotland; whether it is to be the same with that advertised under the name of Robert Heron, I cannot learn. His treatment of the " Celtic savages" is to be speedily resented in print by the Reverend John Lane Buchanan, nominal author of "Travels in the Western Hebrides," who seems in fact, to be as very a Celt as his antagonist could possibly wish for. I am sorry to find so good a cause in the hands of such an incompetent advocate.
Joseph Ritson
Forewarned, forearmed, is sheer nonsense. Who is so indefatigable a scribbler as your abundantly damned author? Which of our orators speak so long and so often as he whom nobody listens to? What actors are so constantly before the public as those whom the town will not go to see? Who so easy to deceive as the dupe who has been taken in all his days? The gamester is a legitimate child of that frail couple, Flesh and Blood; he loses a fourth of what he is worth at the first throw-esteems himself lucky if he loses less today than he did yesterday-goes on staking and forfeiting hour by hour-and parts with his last guinea by exactly the same turn of the dice which lost him his first. Experience leaves fools as foolish as ever.
Samuel Laman Blanchard
In 1858 he was selected by [the British Association] to prepare a report upon the Theory of Numbers. It was prepared in five parts, extending over the years 1859-1865. It is neither a history nor a treatise, but something intermediate. The author analyzes with remarkable clearness and order the works of mathematicians for the preceding century upon the theory of congruences, and upon that of binary quadratic forms. He returns to the original sources, indicates the principle and sketches the course of the demonstrations, and states the result, often adding something of his own. The work has been pronounced to be the most complete and elegant monument ever erected to the theory of numbers, and the model of what a scientific report ought to be.
Henry John Stephen Smith
I have never proceeded from any Genus supremum of the actual infinite. Quite the contrary, I have rigorously proved that there is absolutely no Genus supremum of the actual infinite. What surpasses all that is finite and transfinite is no Genus; it is the single, completely individual unity in which everything is included, which includes the Absolute, incomprehensible to the human understanding. This is the Actus Purissimus, which by many is called God.
I am so in favor of the actual infinite that instead of admitting that Nature abhors it, as is commonly said, I hold that Nature makes frequent use of it everywhere, in order to show more effectively the perfections of its Author. Thus I believe that there is no part of matter which is not - I do not say divisible - but actually divisible; and consequently the least particle ought to be considered as a world full of an infinity of different creatures.
Georg Cantor
There is a misconception of tragedy with which I have been struck in review after review, and in many conversations with writers and readers alike. It is the idea that tragedy is of necessity allied to pessimism. Even the dictionary says nothing more about the word than that it means a story with a sad or unhappy ending. This impression is so firmly fixed that I almost hesitate to claim that in truth tragedy implies more optimism in its author than does comedy, and that its final result ought to be the reinforcement of the onlooker's brightest opinions of the human animal.
For, if it is true to say that in essence the tragic hero is intent upon claiming his whole due as a personality, and if this struggle must be total and without reservation, then it automatically demonstrates the indestructible will of man to achieve his humanity.
Arthur Miller
He was the author of most of the Independent's articles in this series, and stayed with Ford for the next 20 years. These articles would eventually be collected in book form under the title The lntemational Jew. The articles were a sensation and the book became a nationwide success, in fact one of the greatest best-sellers of all time. It was estimated that more than 10 million copies of the book were sold in the United States alone. The Intemational Jew was translated into sixteen languages, including Arabic, and was distributed by the millions in Europe, South America, and the Middle East.
Henry Ford
