Author Quotes - page 35
![If there's a stack [of novels to review], the unpromising stuff goes at the top and the promising stuff goes at the bottom. That way, I am eager to finish Overwrought Romantic Mary Sue Fantasy because I know that will let me read Niche Product That Only the Author, James and Some Guy at JPL Likes. (James Nicoll)](https://cdn.quotesdtb.com/img/quotes_images_webp/26/james-nicoll-author-bottom-754626.webp)
I didn't skip the smut. The author went to the trouble of writing it, after all. I did not feel to make notes for possible application later on but I also never wondered if the author was a virgin raised in an abandoned hentai warehouse, which is always a possibility for modern pornographers and erotica writers.
James Nicoll
The character doesn't have to be exactly like them, but as an author you have to give something to the reader that shows the vulnerability and where the character's coming from...You can have characters do awful things, but you make them relatable or have some kind of backstory that makes their actions, even if it's not excusable, understandable...
Maurene Goo
No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.
Nathaniel Hawthorne
A French Author has found out that the French music is for the heart; Italian music, for the ear only: but I do not know how it is to get at the one but by means of the other, and I fancy that which does not please the ear, will never find its way to the heart. I think it is Confucius who says, that the state of music is a proof of the good or bad customs of a country. The French nation would lose by such a judgment and the Italian gain more than it deserves.
Peter Beckford
Now turning to Writers in general. The urge to write is analysed as 50% Ambition, 45% Vanity and 5% something to say. This is rather drastic and later revised by a famous Author as 80% earning a living, 10% Vanity and 10% something to say. Though both may not be acceptable to all, yet using them as norms, one can classify to some extent the written effusions one reads. William Faulkner says he writes what people will believe and for that they will pay, as even a Writer has to make money.
Peter de Noronha
A book, once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, both grammatically and actually, whatever meaning this or that reader gets out of it.
James Branch Cabell
Neither is it accidental that the Upanishads contain no internal evidence as to when, where or by whom they were composed. Their very thesis is that we dwell in the midst of a timeless eternity. With everything so indissolubly united that particular areas or places are of no concern. Who might be the author of an idea or a way of communicating it must be of no importance whatsoever, since truth is truth.
Robert T. Oliver
Two words of such a book, though possessing no peculiar signification, if met with in the dullest sentence, are enough: they call up, what has been finely termed, the "lightning of the mind." We feel an instantaneous kindness and reverence towards an author (together with a high opinion of his discrimination) who cites as it were the very language of our dreams-the secret converse of our own invisible spirit. We are almost startled at its being made public, and fancy that we have been at some time overheard reading. He is forthwith admitted a member of our heart's privy council. His hard words and bad reasoning are forgiven: we shut our ears to his angular periods-remembering only that his habits and desires, his sympathies, perceptions and enjoyments, are under the same master-key as our own-that he has struck into the same path, drank at the same brook, mused upon the same bank, and plucked almost the same leaf with ourselves.
Samuel Laman Blanchard
I feel that historical novelists owe it to our readers to try to be as historically accurate as we can with the known facts. Obviously, we have to fill in the blanks. And then in the final analysis, we're drawing upon our own imaginations. But I think that readers need to be able to trust an author.
Sharon Kay Penman
