Studio Quotes - page 38
It is a wasted concept [by] a studio that evidently does not have the talent necessary to create something of this complexity, and my god did they screw it up! This is this year's Revelations 2012! And more to the point-it's even got a Revelations 2012 armgun! It's-[beat]-god...! It is...just...horrendously bad!
TotalBiscuit
Prince is intelligent. He never visits the studio when I am working for him; and I have never met him in person. He sends me memos and we talk over the phone. Once I sent him my Grammy-winning CD. I heard from people that were present at the time that while he took out the disc he looked away from the cover, saying, 'I don't want to know what he looks like. It is working just fine as it is.' Prince does not want to meet me because he knows that the minute he walks into a studio he will start interfering. It is uncommon that a person with such a strong ego realizes that I have an ego too.
Clare Fischer
I think what Kazan is saying is that the Method isn't a thing. It's an action, a process, a skillful or effective way of achieving a specific artistic task. It's not a pair of shoes. It's discovering how to walk. I did an affective memory at the Actors Studio years ago, after which Lee Strasberg said, "Now that's an affective memory. Darling, tell them how you did it." When I explained my process, Strasberg replied, "That's not how you do an affective memory! But that's what the Method is all about. It's a way of work!" You find your own way of carrying out your own and your character's internal truth-within your body, mind, and soul.
Sandra Seacat
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
Hans Zimmer
...Danny Aykroyd went his own way when I became head of Lorimar Pictures in 1987. He said, "I can't understand the head of a management company also running a studio. There's something wrong about it." I told Danny it could only work in his favor, but he laughed. He's such a straight citizen. Maybe he was right. But with no paper to haggle over, the parting was friendly. And he's such a good guy that although I haven't represented him in years, every month he sends the Blues Brothers records' royalties I'm due, or a commission on an old acting job. Sometimes the check is for $17. Doesn't matter. I love that continuity and caring and respect.
Dan Aykroyd
My new installment [Mondrian moved to a new studio in Paris, where he applied the principles of Neo-Plasticism into the interior of his studio ] is about decoration, occasioned by my studio here, where I've set up a sort of display. I couldn't work directly on the walls, so I had to make do with pieces of painted cardboard. But in any case, I am now convinced that in this way it is possible to realize Neo-Plasticism in the interior. Of course I had to paint the furniture as well. It was worth the effort, as it has a favourable influence on my work.
Piet Mondrian
Mondrian is often portrayed as a rational, ascetic man, a monk who shut himself away in his studio to work on his paintings in peace and quiet. But if you look at the historical facts, you have to conclude that the opposite is in fact true. Mondrian flourished as an artist in Paris, became famous in New York and spent his time in the company of bohemian artists, and spent his money on nightlife and women.
Piet Mondrian
I sat in my studio and painted, and did not need Nature as a prompter [is after 1921, when he painted the series 'Abstrakter Kopf' / 'Abstract Head'.] I only had to immerse myself in myself, pray, and prepare my soul to a state of religious awareness. I painted many, many 'Faces'.
Alexej von Jawlensky
His glance commanded in an instant all that was novel in [a] scenery, and a few outlines on paper recorded it unintelligibly to others. He placed these pictorial memoranda upon mill-board, not larger than a sheet of letter-paper, quite a confused mass. How he worked out the details from such sketches seemed to me wonderful. His views around Plymouth, in the engravings from his pictures, were marvelously varied in effect, as well as faithful representations. His first sketches showed little of the after-picture to the unpracticed eye; perhaps he bore much away in memory, and these were only a kind of shorthand, which he deciphered in his studio.
J. M. W. Turner
Paul Oakenfold: "Madonna was without doubt one of the best artists I have ever worked with. She had so many fantastic ideas and really took her music seriously. You can tell that with Madonna, everything is about the music. She's a global name but still works tirelessly in the studio, puts on her best possible live gigs and puts 100 per cent into everything she does. "She's really grounded too and easy to work with."
Madonna (entertainer)
