Aspect Quotes - page 13
Leibniz ... envisioned real possibility in terms rooted in axiological considerations of evaluative optimality. To be sure, it is clear that one cannot just optimize. ... One has to optimize something, some feature or aspect of things. And if this factor is to be something that is qualified, be accepted as self-validating and self-sustaining, then the clearly most promising candidate would seem to be intelligence itself. ... The value at issue here with "being for the best" is a matter of being so as intelligent creatures see it-that is from the vantage point of intelligence itself. Assuredly, no intelligent being would prefer an alternative that is inferior in this regard. And so, for an intelligent being-a rational creature-intelligence itself must figure high on the scale of values.
Nicholas Rescher
"If charity and philanthropy is not connected with any ulterior motive, they are beneficial. But charity and conversions cannot go together. Religion prospers only when charity and philanthropy are undertaken without any motive. ... The poor and illiterate may enjoy religious freedom without any fear. We have to be particularly vigilant about the Scheduled Tribes whose protection is not only guaranteed by the laws of the land but is also enshrined in the Constitution. It is our duty to preserve every aspect of their way of life along with their religion and ways of worship. No group belonging to any creed should interfere with their religion and rituals. Other organizations are also engaged in the philanthropic work... But that work can be helpful only when it is done without any ulterior motive.
Morarji Desai
The desire that drives an artist to graphic work is perhaps partly the effort to capture the unique and indefinite nature of a drawing in a fixed and durable form. Another aspect of it is that the technical manipulations exercise energies in the artist that he does not use in the far less strenuous crafts of drawing and painting... the mysterious attraction that surrounded the invention of printing in the Middle Ages is still felt by anyone who takes up graphics seriously and performs every stage in the process wit hits own hands.
Ernst Ludwig Kirchner
I am a much better person and a better writer having had my children than I would be otherwise. I would have missed a whole aspect of the human experience that's tremendously fundamental to things like characterization.
A lot of writers write as if the hero sort of popped out of the box at age 22 fully formed. And one thing that raising children does is give you some sense of how human beings really are put together. So when you go to put together a character you can have a more realistic sense of where people really come from, why they really behave the way they do and what a tremendous amount of life and complexity lies behind every human being.
But I think you can get that from being a father too. I think it's something you can do by growing up and being observant even if you don't have children.
Lois McMaster Bujold
While the war was still in progress, I was visited by a sudden feeling of the cruel and unnecessary character of the contest. It seemed to me a return to barbarism, the issue having been one which might easily have been settled without bloodshed. The question forced itself upon me, "Why do not the mothers of mankind interfere in these matters, to prevent the waste of that human life of which they alone bear and know the cost?" I had never thought of this before. The august dignity of motherhood and its terrible responsibilities now appeared to me in a new aspect, and I could think of no better way of expressing my sense of these than that of sending forth an appeal to womanhood throughout the world, which I then and there composed.
Julia Ward Howe
Being female in this world is having been robbed of he potential for human choice by men who love to hate s. One does not make choices in freedom. Instead, one conforms in body type and behavior and values to become an object of male sexual desire, which requires an abandonment of a wide-ranging capacity for choice Objectification may well be the most singly destructive aspect of gender hierarchy, specially as it exists in relation to intercourse.
Andrea Dworkin
A final aspect of all open access orders is Schumpeter's notion of creative destruction, one of the most powerful descriptions of a competitive, open access economy. When Schumpeter wrote Capitalism, Socialism, and Democracy in the early 1940s, the economic theory of perfect competition among atomistic firms (i. e., firms too small to have market power) had come under sustained attack as unrealistic. Large and powerful economic organizations dominated the new economy, and their behavior did not match the textbooks. Despite this dominance, the economy produced historically unprecedented, sustained economic development. Schumpeter asked, How could large businesses that were supposed to choke off competition and growth nonetheless generate such spectacular productivity increases in a world that seemed ever more competitive?
Douglass North
Investment banking has, in recent years, resembled a casino, and the massive scale of gambling losses has dragged down traditional business and retail lending activities as banks try to rebuild their balance sheets. This was one aspect of modern financial liberalisation that had dire consequences.
Vince Cable
It has been remarked that when one passes among the patients of the psychiatric ward, he encounters among the several sufferers every aspect of normal personality in morbid exaggeration. ... As one passes through the modern centers of enterprise and of higher learning, he is met with similar autonomies of development. ... The scientist, the technician, the scholar, who have left the One for the Many are puffed up with vanity over their ability to describe precisely some minute portion of the world. Men so obsessed with fragments can no more be reasoned with than other psychotics.
Richard Weaver
Art is simultaneously particular and general. This is a real dichotomy. The great thing about proportion, one aspect of art, is that it is both extremes at once. The level of quality of a work can usually be established by the extent of the polarity between its generality and particularity. Or, to state the idea a little too simply, the better the work, the more diverse its aspects. The nature of the general aspects and the particular ones changes from artist to artist and especially from time to time, since the changes are due to broad changes in philosophy. This change is the essential change in art, determining its purpose and appearance.
Donald Judd
