Profound Quotes - page 29
I will not go so far as to say that to construct a history of thought without profound study of the mathematical ideas of successive epochs is like omitting Hamlet from the play which is named after him. That would be claiming too much. But it is certainly analogous to cutting out the part of Ophelia. This simile is singularly exact. For Ophelia is quite essential to the play, she is very charming ... and a little mad.
Alfred North Whitehead
I was born in Havana and my family left when I was five-and-a-half. I remember the transition and some memories of being in Havana. I tried to analyze this and I think all exiles who have to leave a country you love, develop a profound nostalgia for where you were born but can no longer be there – like an impossible love. You protect those memories and don't take them for granted. It's different for someone who grew up and still lives in the same city because they do take their memories for granted. For me, I'm very nostalgic – not only about my time in Havana, but my 30 years in Miami Beach. All those memories are pretty vivid and I guard and cherish them. I also use those recollections in my work.
Andy García
The most important problem for freedom in a social context is thus family and marriage. When the woman marries, she is in fact enslaved. It is impossible to imagine another institution that enslaves like marriage. The most profound slaveries are established by the institution of marriage, slaveries that become more entrenched within the family.
Abdullah Öcalan
One of the paradoxes of Hayek is that he wrote better than he thought. That is, his writing is often more suggestive and stimulating than the thought that underlaid it. While his writing is, stylistically, difficult, it is also exceptionally profound, and its value lies in its profundity.
Alan O. Ebenstein
From the perspective of Buddhism, Sartre's notion of Existence, according to which one must create oneself continually in order to maintain oneself within nothing, remains a standpoint of attachment to the self – indeed, the most profound form of this attachment – and as such is caught in the self-contradiction this implies.
Keiji Nishitani
By the time of his Fourth String Quartet, inversional symmetry had become as fundamental a premise of Bartók's harmonic language as it is of the twelve-tone music of Schoenberg, Berg, and Webern. Neither he nor they ever realized that this connection establishes a profound affinity between them in spite of the stylistic features that so obviously distinguish his music from theirs...Nowhere does he [Bartók] recognize the communality of his harmonic language with that of the twelve-tone composers that is implied in their shared premise of the harmonic equivalence of inversionally symmetrical pitch-class relations.
George Perle
