Surface Quotes - page 33
This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark.
Willa Cather
I still, when I judge my own pictures (either while I'm working or after I think it's finished) determine if they work in a certain kind of space through shape or color. I think all totally abstract pictures – the best ones that really come off – Newman, Pollock, Noland – have tremendous space; perspective space despite the emphasis on flat surface. For example, in Noland a band of yellow in relation to a band of blue and one of orange can move in depth although they are married to the surface. This has become a familiar explanation, but few people really see and feel it that way.... in my work, because of color and shape a lot is read in the landscape sense..
Helen Frankenthaler
I have a whole series of pictures that are, I mean in a sense, landscapes. Well, I wouldn't hold the landscape in front of me and translate it more abstractly into the painting, no. But I would - again in that American expedient thing you [Barbara Rose, earlier in the interview] were talking about - thinking ideas in my language. Sort of like today. 'Hm, bunch of roses', hm. 'Flags out the window', hm.... But once it got down on the surface I would say in 99 times out of a 100, out of 101, nobody would come along and say how come you put 'shoes' in a picture. I mean it would be too brown or too green.
Helen Frankenthaler
I think that for me any picture that works even if it is in the guise of pure color application, if it works, involved drawing. That is falt space on a flat surface. And for me, and I always say this, whether it's a Titian or a [Kenneth] Noland, the ones that come off work in that depth and the color perhaps it is divine and the thing that makes it work, but it is line color. If it doesn't work then it's decorative or dead or just applied colors on a surface. That's what wallpaper is. And that's the difference between the striped wallpaper and a great Noland.
Helen Frankenthaler
I had no desire to copy Pollock. I didn't want to take a stick and dip it in a can of enamel [paint]. I needed something more liquid, watery, thinner. All my life, I have been drawn to water and translucency. I love the water; I love to swim, to watch changing seascapes. One of my favorite childhood games was to fill a sink with water and punt nail polish into to see what happened when the colors burst up the surface, merging into each other as floating, changing shapes.
Helen Frankenthaler
I think working on the floor [Helen started 1951-52] came from Pollock. In other words, the whole idea of all sides of pictures being possible, bottom, top, sides of the picture came from him. And the whole idea of the painting being in a sense choreographed came from him, and that once one made a move toward the canvas surface that there was a dialectic and the surface gave you an answer back, and you gave it an answer back. But that was a Pollock notion of --.... That your plans made accidents, demanded something else and then something else hinged on something else..
Helen Frankenthaler
There is good evidence that Venus once had liquid water and a much thinner atmosphere, similar to Earth billions of years ago. But today the surface of Venus is dry as a bone, hot enough to melt lead, there are clouds of sulfuric acid that reach a hundred miles high and the air is so thick it's like being 900 meters deep in the ocean.
Bill Nye
It seems to me that we are charcoal ready to be kindled and that Holy Communion is entirely suited to set us on fire. But when this charcoal is kindled only on the surface, as soon as it is set aside, it is extinguished. On the contrary, that which is fired all the way to the centre is not extinguished, but is consumed.
Marguerite Bourgeoys
