Surface Quotes - page 25
Let the universe have only two dimensions, and let it be the surface of an india rubber ball. It is only the surface that is the universe, not the ball itself. ...Let there be specks of dust fixed to the surface to represent the different galactic systems. If the ball is inflated, the universe expands, and these specks of dust will recede from each other, their mutual distances, measured along the surface, will increase in the same rate as the radius of the ball. An observer in any one of the specks will see all the others receding from himself, but it does not follow that he is the centre of the universe. The universe (which is the surface of the ball, not the ball itself) has no centre.
Willem de Sitter
It began to rain harder. The last snow was under attack by these heavy, wide-spaced drops. All that remained underfoot of months of frost and freezing was a light crust that crumbled as he walked. The sidewalk was soon completely washed by this slow, tenacious rain. Its smooth, shining surface reflected the midnight lights and tangles of naked branches.
Gabrielle Roy
In the early geological ages, when the Alps were low and the Himalayas not yet upheaved... from geological evidence of fossil and fauna, we find that an equitable climate and uniform climate prevailed over the whole surface of the globe. It is now conclusively proved that before the advent of glacial and inter-glacial periods a luxurious forest vegetation... flourished in the high latitude of the polar regions where the Sun goes below the horizon from November till March, thus showing that a warm climate prevailed in the Arctic regions in those days.
Bal Gangadhar Tilak
Turning a small surface of water into vapour by fire, applied to the bottom of the cylinder that contains it; which vapour forces up the plug (or piston) in the cylinder to a considerable height, and which, as the vapour condenses, (as the water cools when taken from the fire,) descends again by air's pressure, and is applied to raise water out of the mine.
Denis Papin
.. you see they hung my painting here [on her show 'Wind', 2009] I did that in the early 1990s. People never really liked them so much back then, they thought they looked more like photographs. Actually, I was doing them when I was still married to Gerhard Richter [till 1993], and it was somehow in relation to what he was doing, you know, these kind of side-to-side gestural abstracts – done like this [gestures as if pulling a squeegee over a surface from one side to the other] like paintings of the 1950s. Mine were called 'Basic Research', they were rubbings of oil paint on canvas – frottages of the floor of my studio. I did quite a few of these. [Gerhard] Richter put one up in his studio for some time... But he found it too hard and then took it out after a while.
Isa Genzken
Rapidly going over what I could recall of Jim Bursley's information about pathological curves confirmed the conjecture. The snowball curve, derived from an equilateral triangle, is a perimeter of infinite length enclosing a finite area. The angles or points of the perimeter are uncountable. An equilateral triangle projected integrally in the third dimension is a triangular pyramid of equal surfaces. The three-dimensional snowflake derived from this pyramid--hence its diamantine appearance--is a finite volume enclosed in a surface of infinite area. The convolutions of such a surface, to be gathered around its defined content extrude a number of discrete angles or points beyond all possibility of computation. The pressure on each point is infinitesimal, unmeasurably small; the total external pressure exerted on any part of the surface is an aggregate of infinitesimal values, itself infinitesimal.
William Grey Walter
But there was something else that the Abstract Expressionists taught us: they began to use something besides the conventional means of art; to want other kinds of paint, or kinds of canvas, or ways of making pictures that weren't the usual ways. Some of the next generation, the Pop Art artists [like Roy Lichtenstein and Andy Warhol, picked up this attitude and began to put actual things into art. We [=w:Morris Louis and Noland] were making abstract art, but we wanted to simplify the selection of materials, and to use them in a very economical way. To get to raw canvas, to use the canvas un-stretched – to use it in more basic or fundamental ways, to use it as fabric rather than as a stretched surface.
Kenneth Noland
We see that each surface is really a pair of surfaces, so that, where they appear to merge, there are really four surfaces. Continuing this process for another circuit, we see that there are really eight surfaces etc and we finally conclude that there is an infinite complex of surfaces, each extremely close to one or the other of two merging surfaces.
Edward Norton Lorenz
The new government is basically.. is the same as the last one, but with a different face. You know.. majority of what made up this new government used to work for Rajapaksa. So... I think.. you know.. when we say what can the new government can offer the Tamils. I think the Tamils were interested in voting out of Rajapaksa, but they did not necessarily know the face of the new president. Unknown on the very surface level, but I think as time goes on, we are going to find out, that this is pretty similar to the old one.
Maithripala Sirisena
Say "rationalist” to the average New Age chucklehead, and you conjured up unappetizing images: killjoys obsessed with rules, boors fixated on order, logic-mongers skating around on the surface of things, missing the cosmic essence. Phooey. A rationalist could experience awe as readily as a shaman. But it had to be quality awe, Oliver believed, awe without illusions-the sort of awe he'd felt upon intuiting the size of the universe, or sensing the unlikeliness of his birth.
James K. Morrow
In every human being, there are dormant memories which suddenly rise to the surface of the conscious mind. Niobe, for instance, developed out of one of my most remote childhood recollections. A cholera epidemic had broken out in the Smolensk area, and there were many casualties. One day, on the top of a hill, I saw a giant of a peasant with arms raised toward the sky crying out his grief at having lost his children. From this image, which emerged from my subconscious mind many years later, came the statue of Niobe.
Ossip Zadkine
I believe that painting, in our meaning, is structures. Each application of paint to a surface is structure. This is, of course, self-evident, but a superstructure of meaning can occur. One can have various motives for doing it. And here that difficult motif comes in. I believe that a ruthless accumulation of structure reworkings leads to one meeting one's motif. One's life-motif, so to speak. That which one has and does not know that one has it. A sort of geology, as when, in a constant process, sedimentation and erosion makes the earth we live on like it is now, without any meaning in itself in a rational sense, but accepted as that upon which we live in this life..
Per Kirkeby
