Surface Quotes - page 18
Over the last half century the television interview has given us some of TV's most heart-stopping and memorable moments. On the surface it is a simple format - two people sitting across from one another having a conversation. But underneath it is often a power struggle - a battle for the psychological advantage.
David Frost
Khouri did not need to be told that Hades was a neutron star, any more than she needed to be told that there was no such thing as a safe close encounter with one. You either kept away or you died; those were the rules, and there was no force in the universe capable of negating them. Gravity ruled, and gravity did not take into account circumstances, or the unfairness of things, or listen to eleventh-hour petitions before reluctantly repealing its laws. Gravity crushed, and near the surface of a neutron star gravity crushed absolutely, until diamond flowed like water; until a mountain collapsed into a millionth of its height.
Alastair Reynolds
If you try to imagine, as nearly as you can, what an amount of misery, pain and suffering of every kind the sun shines upon in its course, you will admit that it would be much better if, on the earth as little as on the moon, the sun were able to call forth the phenomena of life; and if, here as there, the surface were still in a crystalline state.
Arthur Schopenhauer
Those who are skeptical about carbon dioxide greenhouse warming might profitably note the massive greenhouse effect on Venus. No one proposes that Venus's greenhouse effect derives from imprudent Venusians who burned too much coal, drove fuel-inefficient autos, and cut down their forests. My point is different. The climatological history of our planetary neighbor, an otherwise Earthlike planet on which the surface became hot enough to melt tin or lead, is worth considering - especially by those who say that the increasing greenhouse effect on Earth will be self-correcting, that we don't really have to worry about it, or (you can see this in the publications of some groups that call themselves conservative) that the greenhouse effect is a "hoax."
Carl Sagan
The essence of modernism lies in the use of the characteristic methods of a discipline to criticize the discipline itself, not in order to subvert it but in order to entrench it more firmly in its area of competence. Modernism used art to call attention to art. The limitations that constitute the medium of painting - the flat surface, the shape of the support, the properties of the pigment - came to be regarded as positive factors, and were acknowledged openly.
Clement Greenberg
Among flower vases, the ware that is given the highest rank is old Iga, from the sixteenth and seventeenth centuries, and it commands the highest price. When old Iga has been dampened, its colors and its glow take on a beauty such as to awaken on afresh. Iga was fired at very high temperatures. The straw ash and the smoke from the fuel fell and flowed against the surface, and as the temperature dropped, became a sort of glaze. Because the colors were not fabricated but were rather the result of nature at work in the kiln, color patterns emerged in such varieties as to be called quirks and freaks of the kiln. The rough, austere, strong surfaces of old Iga take on a voluptuous glow when dampened. It breathes to the rhythm of the dew of the flowers.
Yasunari Kawabata
There was a time when all these things would have passed me by, like the flitting figures of a theatre, sufficient for the amusement of an hour. But now, I have lost the power of looking merely on the surface. Everything seems to me to come from the Infinite, to be filled with the Infinite, to be tending toward the Infinite. Do I see crowds of men hastening to extinguish a fire? I see not merely uncouth garbs, and fantastic, flickering lights, of lurid hue, like a trampling troop of gnomes-but straightway my mind is filled with thoughts about mutual helpfulness, human sympathy, the common bond of brotherhood, and the mysteriously deep foundations on which society rests; or rather, on which it now reels and totters.
Lydia Maria Child
Barred from philosophy and bored by facts, he wanted to teach his students something not wholly useless. The number of students whose minds were of an order above the average was, in his experience, barely one in ten; the rest could not be much stimulated by any inducements a teacher could suggest. All were respectable, and in seven years of contact, Adams never had cause to complain of one; but nine minds in ten take polish passively, like a hard surface; only the tenth sensibly reacts.
Henry Adams
He took their facts for granted. He knew no more than a firefly about rays - or about race or sex - or ennui - or a bar of music - or a pang of love - or a grain of musk - or of phosphorus - or conscience - or duty - or the force of Euclidian geometry - or non-Euclidian - or heat - or light - or osmosis - or electrolysis - or the magnet - or ether - or vis inertiae - or gravitation - or cohesion - or elasticity - or surface tension - or capillary attraction - or Brownian motion - or of some scores, or thousands, or millions of chemical attractions, repulsions or indifferences which were busy within and without him; or, in brief, of Force itself, which, he was credibly informed, bore some dozen definitions in the textbooks, mostly contradictory, and all, as he was assured, beyond his intelligence.
Henry Adams
Our demise may instead result from the habitat destruction that ensues when the AI begins massive global construction projects using nanotech factories and assemblers-construction projects which quickly, perhaps within days or weeks, tile all of the Earth's surface with solar panels, nuclear reactors, supercomputing facilities with protruding cooling towers, space rocket launchers, or other installations whereby the AI intends to maximize the long-term cumulative realization of its values. Human brains, if they contain information relevant to the AI's goals, could be disassembled and scanned, and the extracted data transferred to some more efficient and secure storage format.
Nick Bostrom
For each of us as women, there is a dark place within where hidden and growing our true spirit rises, "Beautiful and tough as chestnut/stanchions against our nightmare of weakness” and of impotence.These places of possibility within ourselves are dark because they are ancient and hidden; they have survived and grown strong through darkness. Within these deep places, each one of us holds an incredible reserve of creativity and power, of unexamined and unrecorded emotion and feeling. The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep.
Audre Lorde
