Surface Quotes - page 17
The undulation of these infinite numbers of mountains, whose snowy summits make them look as if covered by foam, recalled to my remembrance the surface of a storm-beaten ocean. If I looked towards the west, the ocean lay before me in all its majestic grandeur, a continuation as it were, of these fleecy hilltops. Where the earth ended and the sea began it was impossible for the eye to distinguish.I soon felt that strange and mysterious sensation which is awakened in the mind when looking down from lofty hilltops, and now I was able to do so without any feeling of nervousness, having fortunately hardened myself to that kind of sublime contemplation. I wholly forgot who I was, and where I was. I became intoxicated with a sense of lofty sublimity, without thought of the abysses into which my daring was soon about to plunge me.
Jules Verne
'Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation by a rhythmically measured network of colors, lines and dots, which evokes in its final form a total of living movement. The eye jumps from a blue to red, to green (even if there is only a change of form), to a black line, suddenly comes upon a sharp white eruption, follows it, floats on to... It is impossible to take it all in at once. Time is inseparable from surface.
August Macke
Cubism, Futurism, Expressionism, abstract painting, are only names given to a change which our artistic thinking wants to make and is thinking. Nobody has ever painted fallen raindrops suspended in the air, they've always been depicted as streaks (even the cave-men drew herds of reindeer in the same way). Now people are painting cabs rattling, lights flickering, people dancing, all-in the same way (this is how we all see movement). That is thew whole frightfully simple secret of Futurism. Its very easy to prove its artistic feasibility, for all the philosophizing that has been raised against it. Space, surface and time are different things, which ought not to be mixed together, is the continuous cry. If only it were possible to separate them. I can't do it.
August Macke
PowerPoint is symptomatic of a certain type of bureaucratic environment: one typified by interminable presentations with lots of fussy little bullet-points and flashy dissolves and soundtracks masked into the background, to try to convince the audience that the goon behind the computer has something significant to say. It's the tool of choice for pointy-headed idiots with expensive suits and skinny laptops who desperately want to look as if they're in command of the job, with all the facts at their fiddling fingertips, even if Rome is burning in the background. Nothing stands for content-free corporate bullshit quite like PowerPoint. And that's just scratching the surface...
Charles Stross
Every part of the earth's surface presents unequivocal proofs that the elevation of the bed of the ocean in some places, and the subsidence of the dry land in others, have been, and are still, going on; and that, in truth, the continual changes in the relative position of the land and water, are the effects of laws which the Divine Author of the Universe has impressed on matter, and thus rendered it capable of perpetual renovation:-
Art, Empire, Earth itself, to change are doomed;
Earthquakes have raised to heaven the humble vail,
And gulf's the mountain's mighty mass entombed,
And where the Atlantic rolls wide continents have bloomed.
Gideon Mantell
Allow me to repeat what I said when you were here: deal with nature by means of the cylinder, the sphere and the cone, all placed in perspective, so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth, a section of nature, or if you prefer, of the spectacle spread before our eyes by the 'Pater Omnipotens Aeterne Deus'. Lines perpendicular to that horizon give depth. But for us men, nature has more depth than surface, hence the need to introduce in our vibrations of light, represented by reds and yellows, enough blue tints to give a feeling of air.
Paul Cézanne
In that Renaissance (Cellini, Tintoretto, Titian..) there was an explosion of unique truthfulness, a love of painting and form... Then come the Jesuits and everything is formal; everything has to be taught and learned. It required a revolution for nature to be rediscovered; for Delacroix to paint his beach at Etratat, Corot his roman rubble, Gustave Courbet his forest scenes and his waves. And how miserable slow that revolution was, how many stages it had to go through!... These artists had not yet discovered that nature has more to do with depth than with surfaces. I can tell you, you can do things to the surface.... but by going deep you automatically go to the truth. You feel a healthy need to be truthful. You'd rather strip your canvas right down than invent or imagine a detail. You want to know.
Paul Cézanne
Our country has a larger Army and a more powerful Navy, costing annually almost twice as much as it ever before had in time of peace. I am a thorough believer in a policy of adequate military preparation. We are constantly working to perfect our defenses in every branch, land forces, air forces, surface and submarine forces. That work will continue. Our Military Establishment of the Army and Navy, the National Guard, and the Reserve Corps is far superior to anything we have ever maintained before, except in time of war. In the past six years we have expended about $4,000,000,000 for this purpose. That ought to show results, and those who have correct information know that it does show results. The country can rest assured that if security lies in military force, it was never so secure before in all its history.
Calvin Coolidge
When I started doing the 'Bursts' [paintings Gottlieb started c. 1958] I began to do part of the painting horizontally. It was necessary to do that because I was working with a type of paint which had a particular viscosity, which flowed, and if it were on a vertical surface it would just run. If it were on a horizontal surface, I could control it... I was using a combination of brushes and knives, palette knives... and spatulas... I've tried everything, rollers, rags, I've put paint on with everything.
Adolph Gottlieb
Under the limitation of armaments treaty a large saving in outlay and a considerable decrease in maintenance of the Navy has been accomplished. We should maintain the policy of constantly working toward the full treaty strength of the Navy. Careful investigation is being made in this department of the relative importance of aircraft, surface and submarine vessels, in order that we may not fail to take advantage of all modern improvements for our national defense. A special commission also is investigating the problem of petroleum oil for the Navy, considering the best policy to insure the future supply of fuel oil and prevent the threatened drainage of naval oil reserves. Legislative action is required to carry on experiments in oil shale reduction, as large deposits of this type have been set aside for the use of the Navy.
Calvin Coolidge
Trials never end, of course. Unhappiness and misfortune are bound to occur as long as people live, but there is a feeling now, that was not here before, and is not just on the surface of things, but penetrates all the way through: We've won it. It's going to get better now. You can sort of tell these things.
Robert M. Pirsig
We have an odd relationship with words. We learn a few when we are small, throughout our lives we collect others through education, conversation, our contact with books, and yet, in comparison, there are only a tiny number about whose meaning, sense, and denotation we would have absolutely no doubts if, one day, we were to ask ourselves seriously what they meant. Thus we affirm and deny, thus we convince and are convinced, thus we argue, deduce, and conclude, wandering fearlessly over the surface of concepts about which we have only the vaguest of ideas, and, despite the false air of confidence that we generally affect as we feel our way along the road in the verbal darkness, we manage, more or less, to understand each other and even, sometimes, to find each other.
José Saramago
The subject matter of creation is chaos. The present feeling seems to be that the artist is concerned with form, color, and spatial arrangement. This objective approach to art reduces it to a kind of ornament. The whole attitude of abstract painting, for example, has been such that it has reduced painting to an ornamental art whereby the picture surface is broken up in geometrical fashion into a new kind of design-image. It is a decorative art built on a slogan of purism where the attempt is made for an unworldly statement...
Barnett Newman
Ken Noland would use concentric circles; he'd want to get them in the middle [of the painting] because it's the easiest way to get them there, and he want them there in the front, on the surface of the canvas. If you're that much involved with the surface of anything, you're bound to find symmetry the most natural means.
Frank Stella
My painting does not come from the easel. I hardly ever stretch my canvas before painting. I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. This is akin to the method of the Indian sand painters of the West.
Jackson Pollock
Even this far from shore, the night stank. The sea moved lazily, its embryo waves aborted before cresting by the layer of oily residues surrounding the hull, impermeable as sheet plastic: a mixture of detergents, sewage, industrial chemicals and the microscopic cellulose fibers due to toilet paper and newsprint. There was no sound of fish breaking surface. There were no fish.
John Brunner
