Distance Quotes - page 25
Gradually... during the second half of the nineteenth century, the uncomfortable feeling of dislike of the action at a distance, which had been so strong in Huygens and other contemporaries of Newton, but had subsided during the eighteenth century, began to emerge again, and gained strength rapidly.
This was favoured by the purely mathematical transformation (which can be compared in a sense with that from the Ptolemaic to the Copernican system), replacing Newton's finite equations by the differential equations, the potential becoming the primary concept, instead of the force, which is only the gradient of the potential. These ideas, of course, arose first in the theory of electricity and magnetism or perhaps one should say in the brain of Faraday.
Willem de Sitter
Beside my own intense, multiple impressions of him, I also had to contend with his 'world image' created by the endless newspaper photographs, TV appearances, caricatures. Realizing this, I began to collect hundreds of photographs torn from newspapers and magazines and never missed an opportunity to draw him when he appeared on TV. These snapshots covered every angle, from above, below, profile, back, standing, sitting, walking, close-up, off in the distance. I particularly liked tiny shots where the features were indistinct yet unmistakable. Covering my walls with my own sketches and these photographs, I worked from canvas to canvas (the smallest 2 feet high, the largest, 11) always striving for a composite image.
Elaine de Kooning
These kinds of habits, in good company, are so very nauseous and disgusting, that if we indulge ourselves in them, no one can be very fond of our acquaintance. So far from it, that even those, who are inclined to wish us well, must, by these and the like disagreeable customs, be entirely alienated from us.- Those ill-bred people, who expect their acquaintance to love and caress them, with all their foibles, are as absurd as a poor ragged cinder-wench; who should roll about upon an heap of ashes, scrabbling and throwing dust in the face of every one that passed by; and yet flatter herself that she should allure some youth to her embraces, by these dirty endearments; which would infallibly keep him at a distance.
Giovanni della Casa
Kuhn had the genius to find the words and sketch the concepts that made important old philosophical problems relevant to the public and newly discussable by philosophers. He had the strength of mind and commitment to lead the discussion. He could speak the truly incommensurable languages of physics, philosophy, and history, all necessary to frame and advance his epistemological quest. He wrote, as one of his admirers, Margaret Masterman, put it, in a "quasi-poetic style," sometimes veiled, sometimes with "rhetorical exaggeration," but always after careful and even painful thought. Or, to switch metaphors, he drew the portrait of science in the manner of the Impressionists. At a distance, where most viewers stand, the portrait appears illuminating, persuasive, and inspiring; close in, where historians and philosophers stare, it looks sketchy, puzzling, and richly challenging.
John L. Heilbron