Distance Quotes - page 13
How you deal with it I must and will leave to you, not out of despair or resignation but in deference to my conscience, that broken clock which I believe is now chiming one of its occasional right hours. I will not question your reasons. It is enough for you to tell me that you wish to keep this distance between us, and it will always be enough. Know that a single word will bring me running, but unless and until it pleases you to give it, I will expect nothing, force nothing, and contrive nothing contrary to your wishes.
I desire you as deeply as I ever have, but I understand that the fervor of a desire is irrelevant to its justice. I want your heart on merit, in mutual trust, or not at all, because I cannot bear to see you made uneasy by me. Not for all the world would I do so again, and I leave it to you to tell me how to proceed, if and when you can, if and when you will.
Scott Lynch
Commerce, Opulence, Luxury, Effeminacy, Cowardice, Slavery: these are the stages of national degradation. We are in the fourth; and, I beg the reader to consider, to look into history, to trace states in their fall, and then say how rapid is the latter part of the progress! Of the symptoms of effeminacy none is so certain as a change from athletic and hardy sports, or exercises, to those requiring less bodily strength, and exposing the persons engaged in them to less bodily suffering; and when this change takes place, be assured that national cowardice is at no great distance, the general admiration of deeds of hardihood having already been considerably lessened.
William Cobbett
There is one hit of mine which will not stay in the official records, but which I believe to be the longest clout ever made off a major league pitcher. At least some of the veteran sport writers told me they never saw such a wallop. The Yanks were playing an exhibition game with the Brooklyn Nationals at Jacksonville, Fla., in April, 1920. Al Mamaux was pitching for Brooklyn. In the first inning, the first ball he sent me was a nice, fast one, a little lower than my waist, straight across the heart of the plate. It was the kind I murder, and I swung to kill it. The last time we saw the ball it was swinging its way over the 10-foot outfield fence of Southside Park and going like a shot. The ball cleared the fence by at least 75 feet. Let's say the total distance traveled was 500 feet: the fence was 423 feet from the plate. If such a hit had been made at the Polo Grounds, I guess the ball would have come pretty close to the top of the screen in the centerfield bleachers.
Babe Ruth
Before us, art relied on memory, an anxious re-evocation of an Object lost (happiness, love, a landscape), and hence was nostalgic, static, charged with suffering and distance. With Futurism, instead, art is turning into art-action, which is to say, into will, optimism, aggression, possession, penetration, delight, brutal reality within art (example: onomatopoiea; -example: noise-tuners = motors), geometrical splendor of forces, projections forward. Thus, art is becoming Presence, new Object, new reality created with the abstract elements of the universe. The hands of the passéist artist used to suffer for the sake of the lost Object; our hand will twitch for the new Object to be created. That is why the new Object (the plastic complex) has miraculously appeared in your hands.
Filippo Tommaso Marinetti
A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it. I thought I was writing books one after the other in a disjointed way, in successive bouts of oblivion, but often the same faces, the same names, the same places, the same phrases keep coming back in book after book, like patterns on a tapestry woven while half asleep. While half asleep or while daydreaming. A novelist is often a sleepwalker, so steeped is he in what he must write, and it is natural to worry when he crosses the road in case he is run over. Do not forget, though, the extreme precision of sleepwalkers who walk over roofs without ever falling off.
Patrick Modiano