Distance Quotes - page 11
In Castleford, where I was born, there are what are called sand holes. They are caves where the sand has been excavated and they run into the side of certain hillsides, quite a long distance, and you can get lost in them. Now these had a fascination for me, and as boys we would take a reel of cotton many yards long and go into the caves. But one wouldn't go further than the cotton because it was dark. You wouldn't know your way back. In those days there weren't flash lamps, so one only had a match or something, and the matches were these brimstone matches. And the caves always had this fascination for me, these holes did. Digging into something always had this fascination for me. So I think it's not so much Archipenko, because the Archipenko hole is a decorative one. I mean he makes a hole in a breast instead of a fullness, but the hole acts the same.
Henry Moore
Curious, if we will reflect on it, this of having no books. Except by what he could see for himself, or hear of by uncertain rumor of speech in the obscure Arabian Desert, he could know nothing. The wisdom that had been before him or at a distance from him in the world, was in a manner as good as not there for him. Of the great brother souls, flame-beacons through so many lands and times, no one directly communicates with this great soul. He is alone there, deep down in the bosom of the Wilderness; has to grow up so,-alone with Nature and his own Thoughts. But, from an early age, he had been remarked as a thoughtful man.
Thomas Carlyle
Revolted by the butchery of the 1914 World War, we in Zurich devoted ourselves to the arts. While guns rumbled in the distance, we sang, painted, made collages and wrote poems with all our might. We were seeking an art based on fundamentals, to cure the madness of the age, and find a new order of things that would restore the balance between heaven and hell. We had a dim premonition that power-mad gangsters would one day use art itself as a way of deadening men's minds.
Jean Arp
Pissarro wants to achieve delicacy by means of adjustments of nearly like tones; he keeps from juxtaposing two distant tones and does without the vibrant note which such contrast gives, but strives on the contrary to diminish the distance between two tints by introducing into each one of them intermediate elements which he calls 'passage'. But the neo-impressionist technique is based precisely on this type of contrast, for which he feels no need, and on the violent purity of tints which hurts his eye. He has kept of divisionism only the technique, the little dot, whose raison d'etre is exactly that it enables the transcription of this contrast and the conservation of this purity. So it is easy to understand why he [Pissarro] gave up this means, insufficient as it is by itself.
Paul Signac
What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.
Georges Braque
Obliged to find an apartment of their own, my parents searched the neighbourhood and chose one within walking distance of the park. Showing them out after they had viewed it, the landlady said: "And you'll be glad to know I don't take Jews." Her mistake made clear to her, the antisemitic landlady was renounced, and another apartment found. But her blunder left its mark. Back on the street my mother made a vow. Her unborn baby would have a label proclaiming his race to the world. He would be called "The Jew"
Yehudi Menuhin
Astronomers have built telescopes which can show myriads of stars unseen before; but when a man looks through a tear in his own eye, that is a lens which opens reaches in the unknown, and reveals orbs which no telescope, however skilfully constructed, could do; nay, which brings to view even the throne of God, and pierces the nebulous distance where are those eternal verities in which true life consists.
Henry Ward Beecher
The forces of Hannibal, Drake and Napoleon moved at best with the horses' gallop or the speed of wind on sail. Now, aviation brings a new concept of time and distance to the affairs of men. It demands adaptability to change, places a premium on quickness of thought and speed of action.
Charles Lindbergh
After meditating deeply on this topic, it occurred to me that light, upon passing from one medium to another, has to make a choice, whether to follow the path of shortest distance (the straight line) or the path of least time. But why should it prefer time over space? Light cannot travel both paths at once, yet how does it decide to take one path over another? Rather than taking either of these paths per se, light takes the path that offers a real advantage: light takes the path that minimizes its action.
Pierre Louis Maupertuis
Now I have to define what I mean by "action". When a material body is transported from one point to another, it involves an action that depends on the speed of the body and on the distance it travels. However, the action is neither the speed nor the distance taken separately; rather, it is proportional to the sum of the distances travelled multiplied each by the speed at which they were travelled.
Pierre Louis Maupertuis
The quantity of action is the product of the mass of the bodies times their speed and the distance they travel. When a body is transported from one place to another, the action is proportional to the mass of the body, to its speed and to the distance over which it is transported.
Pierre Louis Maupertuis
Every seat in the theater was taken when Philip appeared wearing a white cloak and by his express orders his bodyguard held away from him and followed only at a distance, since he wanted to show publicly that he was protected by the goodwill of all the Greeks, and had no need of a guard of spearmen.
Diodorus Siculus
In fact, there is something puzzling about the Higgs mass we now do observe. It is generally known as the "hierarchy problem.” Since it is the Higgs mass that sets the scale for the masses of all other known elementary particles, one might guess that it should be similar to another mass that plays a fundamental role in physics, the so-called Planck mass, which is the fundamental unit of mass in the theory of gravitation. (It is the mass of hypothetical particles whose gravitational attraction for one another would be as strong as the electric force between two electrons separated by the same distance.) But the Planck mass is about a hundred thousand trillion times larger than the Higgs mass. So, although the Higgs particle is so heavy that a giant particle collider was needed to create it, we still have to ask, why is the Higgs mass so small?
Steven Weinberg
If you can see a thing whole,” he said, "it seems that it's always beautiful. Planets, lives.... But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful the earth is, is to see it as the moon. The way to see how beautiful life is, is from the vantage point of death.”
"That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I'm not going to stand up on a gravestone and look down on life and say, ‘O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity.
Ursula K. Le Guin
Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated. Admittedly, there is the primal shock of the deserts and the dazzle of California, but when this is gone, the secondary brilliance of the journey begins, that of the excessive, pitiless distance, the infinity of anonymous faces and distances, or of certain miraculous geological formations, which ultimately testify to no human will, while keeping intact an image of upheaval. This form of travel admits of no exceptions: when it runs up against a known face, a familiar landscape, or some decipherable message, the spell is broken: the amnesic, ascetic, asymptotic charm of disappearance succumbs to affect and worldly semiology.
Jean Baudrillard
