Winning Quotes - page 15
The Orestia shows that society is a defense against nature. Everything intelligible -- institutions, objects, persons, ideas -- is the result of Apollonian clarification, adjudication, and action. Western politics, science, psychology and art are creations of arrogant Apollo. Through every century, winning or losing, western mind has struggled to keep nature at bay. The Orestia's sexist transition from matriarchy to patriarchy records the rebellion every imagination must make against nature. Without that rebellion, we as a species are condemned to regression or stasis. Even rebelling, we cannot get far. But vying with fate is godlike.
Camille Paglia
Now, there are some, and I don't just mean Communists like you, but thinking men of all political parties, who think that not many of these gods actually exist. Some believe that ‘'none'' of them exist. There's just us and an ocean of darkness around us. I'm no philosopher or poet, how would I know the truth? It's true that all these gods seem to do awfully little work-much like our politicians-and yet keep winning reelection to their golden thrones in heaven, year after year. That's not to say that I don't respect them, Mr. Premier! Don't you ever let that blasphemous idea into your yellow skull. My country is the kind where it pays to play it both ways: the Indian entrepreneur has to be straight and crooked, mocking and believing, sly and sincere, at the same time.
Aravind Adiga
![In general, it is possible to say that in artists as deliberate, as careful as [Durer and Holbein], drawing is particularly tight and the color is as cold as the verity of mathematics. In other artists, on the contrary, in those who are the poets of the heart, like Raphael, Correggio, Andrea del Sarto, line has more suppleness and color, more winning tenderness. In others whom we call realists that is to say, whose sensibility is more exterior, in Rubens, Velasquez, Rembrandt, for example, line has a living charm with its force and its repose, and the color sometimes bursts into a fanfare of sunlight, sometimes fades into mist.
So, the modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them drawing and color are better or worse than in others. (Auguste Rodin)](https://cdn.quotesdtb.com/img/quotes_images_webp/54/auguste-rodin-call-charm-315454.webp)
They know of no solutions to the paradoxes of the Middle East and Europe, the Far East and Africa except the landing of Marines. Being baffled, and also being very tired of being baffled, they have come to believe that there is no way out-except war-which would remove all the bewildering paradoxes of their tedious and now misguided attempts to construct peace. In place of these paradoxes they prefer the bright, clear problems of war-as they used to be. For they still believe that "winning" means something, although they never tell us what.
C. Wright Mills
When I won the Booker Prize, I said that it was nice to see a work of art winning this prize and I've never been forgiven for that. When you get a prize, you're suppose to be humble. Somebody was interviewing me and said, 'This is a great day for Ireland'. I said, 'Why? Ireland didn't do it, I did it.' I wasn't forgiven for that either. I don't wear the green jersey and I don't hobnob with Michael D in the Park, although I quite like Michael D.
John Banville
Once or twice, when she [Chantal] had adroitly avoided an opportunity of pleasing or winning admiration (for her shrewd wit and vivacity made her popular), she was astonished at his [Abbé Chevance's] disapproval. [She asked him why. ] Blushing he had replied, "I will tell you, my daughter. I used to try very hard to be admired, to be liked. That is the world!" Then, with that profound finesse which no one had ever had the wit to recognize in the former priest of Costerel-sur-Meuse, he at once added, "I had more to fear from the world than you have."
Georges Bernanos
