Romantic Quotes - page 42
... I often feel literally nauseated upon hearing works representative of the "new simplicity", or of the "new romantic" genre, works which, by aiming low, targeting only the mock-astral plane of musical yuppiedom, ignore the very dangers which make genuine art both human and transcendent. Fortunately, we are witnessing the growth of a grass-roots movement comprised of composers and performers who, having peeked over the fence surrounding this dungheap, have determined that shovelling shit is not to be their fate, and who are lovingly dedicating their lives to the seemingly endless, often agonizing labor which the production of challenging new works entails.
James Boros
In practice, those who espouse this universal cultural tolerance are indeed inevitably selective; what they mean is nice, cosy, traditional cultures, not as they exist, but as they are pictured in the romantic imagination. And above all, they are interested in selective preservation within their own society. Not surprisingly, they dislike scientism, positivism, rationalism in their own society, and rather ignore the fact that these traits also constitute a culture, and one which, from the viewpoint of their initial and rather abstract starting point, has at least as good a claim as the cosiest of closed societies.
Ernest Gellner
If only one could ... But it required strength. The romantic life had been too hard for her. In morals as in politics anarchy is not for the weak. The small state, racked by internal dissension, invites the foreign conqueror. Proscription, martial law, the billeting of the rude troops, the tax collector, the unjust judge, anything, anything at all, is sweeter than responsibility. The dictator is also the scapegoat; in assuming absolute authority, he assumes absolute guilt; and the oppressed masses, groaning under the yoke, know themselves to be innocent as lambs, while they pray hypocritically for deliverance.
Mary McCarthy
True brilliance has a well-known positive correlation with decency, much of the time-a fact the rest of us rely on, more than we ever know. The real world doesn't roil with as many crazed artists, psychotic generals, dyspeptic writers, maniacal statesmen, insatiable tycoons, or mad scientists as you see in dramas.
Still, the exceptions give genius its public image as a mixed blessing-vivid, dramatic, somewhat crazy, and more than a little dangerous. It helps promote the romantic notion, popular among borderline types, that you must be outrageous to be gifted. Insufferable to be remembered. Arrogant to be taken seriously.
David Brin