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Breath Quotes - page 42 - Quotesdtb.com
Breath Quotes - page 42
"If I can but reach that bridge," thought Ichabod, "I am safe." Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash; he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider passed by like a whirlwind.
Washington Irving
Om or Aum (Sk.). A mystic syllable, the most solemn of all words in India. It is "an invocation, a benediction, an affirmation and a promise and it is so sacred, as to be indeed the word at low breath of occult, primitive masonry. No one must be near when the syllable is pronounced for a purpose. This word is usually placed at the beginning of sacred Scriptures, and is prefixed to prayers. It is a compound of three letters a,u,m, which, in the popular belief, are typical of the three Vedas, also of three gods-A (Agni) V (Varuna) and M (Maruts) or Fire, Water and Air. In esoteric philosophy these are the three sacred fires, or the "triple fire”in the Universe and Man, besides many other things...
Helena Petrovna Blavatsky
A finished life - a life which has made the best of all the materials granted to it, and through which, be its web dark or bright, its pattern clear or clouded, can now be traced plainly the hand of the Great Designer; surely this is worth living for? And though at its end it may be somewhat lonely; though a servant's and not a daughter's arm may guide the failing step; though most likely it will be strangers only who come about the dying bed, close the eyes that no husband ever kissed, and draw the shroud kindly over the poor withered breast where no child's head has ever lain; still, such a life is not to be pitied, for it is a completed life. It has fulfilled its appointed course, and returns to the Giver of all breath, pure as He gave it. Nor will He forget it when He counteth up His jewels.
Dinah Craik
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem-just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc. Poets have used such indicators long before modernism-Dickinson's dashes and capitals are one example. Contemporary composers have also expanded on classical notation with new, self-invented markings. You want to find a way that is not random or chaotic but allows for various renderings of a line, a punctuation of the imagination.
Adrienne Rich